A Study of VersificationHoughton Mifflin, 1911 - 275 psl. |
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24 psl.
... noted both in Tenny- son's stanza and in Browning's : syllables that may seem to be suppressed in one line sometimes appear in another . At the end of Tennyson's third line , we find utter , which gives the line a short syllable too ...
... noted both in Tenny- son's stanza and in Browning's : syllables that may seem to be suppressed in one line sometimes appear in another . At the end of Tennyson's third line , we find utter , which gives the line a short syllable too ...
43 psl.
... an arbitrary method of syllable - counting , into which Milton's large and free lines frequently fail to fit . While Milton is the mighty master , the verse of many other poets rewards analysis . Especially to be noted METER 43.
... an arbitrary method of syllable - counting , into which Milton's large and free lines frequently fail to fit . While Milton is the mighty master , the verse of many other poets rewards analysis . Especially to be noted METER 43.
44 psl.
Brander Matthews. many other poets rewards analysis . Especially to be noted is the pleasure the poet gives our ears when he modifies his tempo to accord with a change in the thought he is expressing . Emerson , for example , is often ...
Brander Matthews. many other poets rewards analysis . Especially to be noted is the pleasure the poet gives our ears when he modifies his tempo to accord with a change in the thought he is expressing . Emerson , for example , is often ...
74 psl.
... noted that Pope was careful in the selection of his rimes , ever the most salient words . Roar and shore , throw and slow , at the ends of two of his couplets are exactly the right words to convey the desired impression . But it is not ...
... noted that Pope was careful in the selection of his rimes , ever the most salient words . Roar and shore , throw and slow , at the ends of two of his couplets are exactly the right words to convey the desired impression . But it is not ...
87 psl.
... noted that alliteration and collitera- tion have nothing to do with spelling , since our chaotic orthography allows almost every single sound of our language to be represented by a variety of different symbols . The sound of u in burn ...
... noted that alliteration and collitera- tion have nothing to do with spelling , since our chaotic orthography allows almost every single sound of our language to be represented by a variety of different symbols . The sound of u in burn ...
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accepted alliteration anapestic artist asserted attention Austin Dobson ballade beauty blank verse breath Browning Browning's Byron's called charm chosen colliteration composed consonants critic dactylic declared delight double rimes Dryden effect employed English poetry English verse example feel final line fixed form foot four lines hearer heart heptameter heroic couplet hexameter iambic pentameter iambs iambus kiss language less long syllables Longfellow's Lowell lyric lyrist master mating melody meter metrical metrist Milton never nursery-rimes o'er once pair of rimes passage pause play poem poet poet's poetic license Pope prose quatrain refrain repetition rhythm rhythmic rime-scheme rondeau Rose Shakspere Shakspere's short syllable single rime sometimes song sonnet sound speech spondee stanza substitution sweet Swinburne technic Tennyson thee theme Théodore de Banville thou thought tion trimeter triolet trochaic trochee true tune unrimed versification villanelle vowel vowel-sound wind words write
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