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7 psl.
... course of critical lectures - Southey and Byron - The spirit of criticism the spirit of charity - Rogers's plea for Byron's memory- Popularity of his poetry - " English Bards and Scotch Reviewers " - - " Childe Harold " - His love of ...
... course of critical lectures - Southey and Byron - The spirit of criticism the spirit of charity - Rogers's plea for Byron's memory- Popularity of his poetry - " English Bards and Scotch Reviewers " - - " Childe Harold " - His love of ...
9 psl.
... course of lectures , to make it , as far as possible , comprehensive not only of the exposition of the individual poets selected , but of the progress of English poetry in its successive ages , as it has been modi- fied by the influence ...
... course of lectures , to make it , as far as possible , comprehensive not only of the exposition of the individual poets selected , but of the progress of English poetry in its successive ages , as it has been modi- fied by the influence ...
16 psl.
... course of these lectures , and on which I must now dwell for a few minutes . rature . Let me preface what I have to say either directly or in illustration of Dr. Johnson with the remark that it applies to him solely as a critic of ...
... course of these lectures , and on which I must now dwell for a few minutes . rature . Let me preface what I have to say either directly or in illustration of Dr. Johnson with the remark that it applies to him solely as a critic of ...
20 psl.
... - robes spun out of Iris woof , " and wrap it in the coarse , home - spun cloak of his logic . Morally , Johnson was unfit for the lofty task , without , JOHNSON'S UNFITNESS FOR POETICAL CRITICISM . 21 of course , 20 LECTURE TENTH . 20.
... - robes spun out of Iris woof , " and wrap it in the coarse , home - spun cloak of his logic . Morally , Johnson was unfit for the lofty task , without , JOHNSON'S UNFITNESS FOR POETICAL CRITICISM . 21 of course , 20 LECTURE TENTH . 20.
21 psl.
JOHNSON'S UNFITNESS FOR POETICAL CRITICISM . 21 of course , meaning to impeach the uprightness of his character or his piety . It has been said , with great truth , that , as the poet must write in the spirit of self - sacrifice , so ...
JOHNSON'S UNFITNESS FOR POETICAL CRITICISM . 21 of course , meaning to impeach the uprightness of his character or his piety . It has been said , with great truth , that , as the poet must write in the spirit of self - sacrifice , so ...
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admiration ALONZO POTTER ancient auld bard beautiful beneath bonny bonny Dundee breath bright Burns Byron's character Charles Lamb child Christabel Coleridge's criticism dark dead dear deep delight descriptive poetry early earth Edmund Spenser emotion English poetry fame fancy feeling frae French Revolution friends genius gentle glory happy Hartley Coleridge hath heart heaven HENRY REED honour human imagination Jansenists Johnson language lecture light literary literature living look Lord lyrical poetry melody memory Milton mind minstrelsy moral nature never night o'er pass passage passion Petrarch poem poet poet's poetic Pope prose QUESNEL reader Samuel Taylor Coleridge Scott Scottish sense sentiment Shakspeare song sonnet soul sound Southey Southey's Spenser spirit stanzas strain strong sweet sympathy taste Thalaba thee thing thou thought tion true truth utterance verse voice volume words Wordsworth writings youth
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123 psl. - Alas ! they had been friends in youth ; But whispering tongues can poison truth; And constancy lives in realms above; And life is thorny; and youth is vain; And to be wroth with one we love Doth work like madness in the brain.
262 psl. - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
118 psl. - Christ! what saw I there! Each corse lay flat, lifeless, and flat, And, by the holy rood! A man all light, a seraph-man, On every corse there stood. This seraph-band, each waved his hand: It was a heavenly sight! They stood as signals to the land, Each one a lovely light; This seraph-band, each waved his hand, No voice did they impart — No voice; but oh!
120 psl. - There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky.
260 psl. - IT is a beauteous evening, calm and free ; The holy time is quiet as a Nun Breathless with adoration...
195 psl. - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
115 psl. - The moving Moon went up the sky, And nowhere did abide; Softly she was going up, And a star or two beside...
33 psl. - Unskilful he to note the card Of prudent lore, Till billows rage, and gales blow hard, And whelm him o'er! Such fate to suffering worth is...
113 psl. - All in a hot and copper sky, The bloody Sun, at noon, Right up above the mast did stand, No bigger than the Moon. Day after day, day after day, We stuck, nor breath nor motion; As idle as a painted ship Upon a painted ocean.
264 psl. - That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.