Othello: New Essays by Black WritersMythili Kaul Howard University Press, 1997 - 223 psl. The theme of this work is race and racism in Othello. The critical question raised is whether Othello is a racist play, written by a racist playwright, for a racist audience, or whether it is a play about racism, with Iago as the embodiment of racist attitudes. The perspectives, approaches, and conclusions of the essays are diverse. |
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191 psl.
... desires and fears of others , and through a radical inversion of their discourses , lago fulfills his own desire for revenge and control . Anthony Kubiak argues that Iago's " terrorist discourse " is far " more potent " than Othello's ...
... desires and fears of others , and through a radical inversion of their discourses , lago fulfills his own desire for revenge and control . Anthony Kubiak argues that Iago's " terrorist discourse " is far " more potent " than Othello's ...
200 psl.
... desire for " ocular proof " sorely undermine Iago's discourse . Thus , discourse cannot serve lago in this crisis of ... desire are shaped by individual discourse and gestures of seduction . Iago's desire to bend Othello to his will is ...
... desire for " ocular proof " sorely undermine Iago's discourse . Thus , discourse cannot serve lago in this crisis of ... desire are shaped by individual discourse and gestures of seduction . Iago's desire to bend Othello to his will is ...
201 psl.
... desire constitutes and controls the dramatic center , while Desdemona's position as object of male desire - her marriage to the Moor and Roderigo's desire for a sexual union with her - constitutes the thematic center of the drama ...
... desire constitutes and controls the dramatic center , while Desdemona's position as object of male desire - her marriage to the Moor and Roderigo's desire for a sexual union with her - constitutes the thematic center of the drama ...
Turinys
Black or Tawny? Stage Representations | 1 |
Or Ego in Love Sex and | 23 |
Would Direct Othello | 29 |
Autorių teisės | |
Nerodoma skirsnių: 11
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accepted action actors African Aldridge American appear argues audience beautiful becomes begins believe black actors Brabantio called Cassio cause century character Christian color critics cultural Cyprus daughter Desdemona desire discourse drama Elizabethan Emilia English ethic face fact father feel final forces give hand human Iago Iago's killed lago language later light lines look male marriage married meaning Moor moral murder narrative nature Negro never noble observes once opening Othello performance physical play present question race racial racism reading reason reference relationship represented Robeson Roderigo role scene seems seen Senate sense sexual Shakespeare significant society soul speak speech stage story suggest symbolic tells thing thou thought tradition tragedy tragic true truth turning understanding Venetian Venice Western white woman wife women writers