American Criticism: A Study in Literary Theory from Poe to the PresentHoughton Mifflin, 1928 - 273 psl. |
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3 psl.
... Seeking to avoid the conventional rules , whether classic or romantic , and at the same time merely personal preferences and antipathies , he aimed at a criticism that should be both impersonal and deductive and therefore valid ...
... Seeking to avoid the conventional rules , whether classic or romantic , and at the same time merely personal preferences and antipathies , he aimed at a criticism that should be both impersonal and deductive and therefore valid ...
4 psl.
... seeking to make them prevail . Poe derived his principles of criticism from his own concep- tion of art , which may be studied indifferently in his creative or in his critical work : it is implicit in the one , explicit in the other ...
... seeking to make them prevail . Poe derived his principles of criticism from his own concep- tion of art , which may be studied indifferently in his creative or in his critical work : it is implicit in the one , explicit in the other ...
6 psl.
... , since music comes nearer this goal than any other art . In the prose tale , on the other hand , the artist may seek to produce effects other than those - of poetry , effects of horror , terror 6 AMERICAN CRITICISM P.
... , since music comes nearer this goal than any other art . In the prose tale , on the other hand , the artist may seek to produce effects other than those - of poetry , effects of horror , terror 6 AMERICAN CRITICISM P.
29 psl.
... seeking to envisage the supernal , the poet creates a kind of beauty that is intermediate between the inferior beauty of things and sentiments and the superior beauty of the eternal . ' Inspired by an ecstatic prescience of the glories ...
... seeking to envisage the supernal , the poet creates a kind of beauty that is intermediate between the inferior beauty of things and sentiments and the superior beauty of the eternal . ' Inspired by an ecstatic prescience of the glories ...
34 psl.
... seeking incongruous or antago- nistic elements , and , doing so palpably , gives pleasure humor being ' a merry effort of Truth to shake from her that which is no property of hers . ' Imagination , so distinguished , is the instrument ...
... seeking incongruous or antago- nistic elements , and , doing so palpably , gives pleasure humor being ' a merry effort of Truth to shake from her that which is no property of hers . ' Imagination , so distinguished , is the instrument ...
Kiti leidimai - Peržiūrėti viską
American Criticism A Study in Literary Theory from Poe to the Present Norman Foerster Visos knygos peržiūra - 1928 |
American Criticism A Study in Literary Theory from Poe to the Present Norman Foerster Trumpų ištraukų rodinys - 1956 |
American Criticism A Study in Literary Theory from Poe to the Present Norman Foerster Trumpų ištraukų rodinys - 1962 |
Pagrindiniai terminai ir frazės
æsthetic American Aristotle artist assertion attain beauty Carlyle century classical Coleridge conception creative creed culture Dante democracy divine doctrine Emerson English essay ethical Europe example experience expression fact faculty faith feeling feudal French Revolution genius give Goethe Greek harmony Homer human humanist idea ideal imagination impressionist inspiration intellectual intuition kind Leaves of Grass literary criticism literature living Lowell Lowell's means melancholy ment merely Milton mind modern moral nature naturistic never organic passage passion past perfect philosophy Philosophy of Composition Plato pleasure Plutarch Poe's poem poet poetic poetic principle poetry Preface principles prose Puritan qualities realism reality reason regarded relation religion romantic romanticism sense sentiment Shakspere soul spirit supernal theory things thought tion to-day tradition Transcendental true truth ture unity universal verse virtue vision Walt Whitman Whitman whole words Wordsworth writes
Populiarios ištraukos
29 psl. - It is no mere appreciation of the Beauty before us, but a wild effort to reach the Beauty above. Inspired by an ecstatic prescience of the glories beyond the grave, we struggle by multiform combinations among the things and thoughts of Time to attain a portion of that Loveliness whose very elements perhaps appertain to eternity alone.
63 psl. - There seems to be a necessity in spirit to manifest itself in material forms; and day and night, river and storm, beast and bird, acid and alkali, pre-exist in necessary Ideas in the mind of God, and are what they are by virtue of preceding affections, in the world of spirit. A Fact is the end or last issue of spirit. The visible creation is the terminus or the circumference of the invisible world.
64 psl. - For it is not metres, but a metre-making argument, that makes a poem, a thought so passionate and alive, that, like the spirit of a plant or an animal, it has an architecture of its own, and adorns nature with a new thing.
72 psl. - The sublime vision comes to the pure and simple soul in a clean and chaste body.
19 psl. - Poetry is the breath and finer spirit of all knowledge ; it is the impassioned expression which is in the countenance of all Science.
114 psl. - Wise men have said are wearisome; who reads Incessantly, and to his reading brings not A spirit and judgment equal or superior (And what he brings, what needs he elsewhere seek) Uncertain and unsettled still remains, Deep versed in books and shallow in himself, Crude or intoxicate, collecting toys, And trifles for choice matters, worth a sponge; As children gathering pebbles on the shore.
249 psl. - This, therefore, is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination in following the phantoms which other writers raise up before him may here be cured of his delirious ecstasies by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world and a confessor predict the progress of the passions.
62 psl. - Aurelius is not a great writer, a great philosophymaker; he is the friend and aider of those who would live in the spirit.
viii psl. - The dead writers are remote from us because we know so much more than they did.
30 psl. - ... the Human Aspiration for Supernal Beauty, the manifestation of the Principle is always found in an elevating excitement of the soul, quite independent of that passion which is the intoxication of the Heart, or of that truth which is the satisfaction of the Reason. For in regard to passion, alas! its tendency is to degrade rather than to elevate the Soul.