The glories of the ample fare, Now tiny snow-birds venture nigh (Sweet strangers! with the winter's sky To pass away;) And gather crumbs in full supply, Let now the busy hours begin: Out rolls the churn; Forth hastes the farm-boy, and brings in The brush to burn; Sweep, shovel, scour, sew, knit, and spin, 'Till night's return. To delve his threshing John must hie; Can all the subtle damp defy; How wades he through! While dainty milkmaids slow and shy, Each to the hour's allotted care; To shell the corn; The broken harness to repair; As cheerful, tranquil, frosty, fair, While mounts the eddying smoke amain And all the landscape rings again So gladsome seems to every swain THE WORLD-SALE. There wandered from some mystic sphere, A dweller in some stately dome; And this low world became his home. Ah, cheated child! Could he but know Sad soul of mine, what thou and I! The bud would never wish to blow, The nestling never long to fly; Perfuming the regardless air, High soaring into empty space; A blossom ripening to despair, A flight-without a resting place! How bright to him life's opening morn! And still grew up the blooming boy. How gently played the odorous air His eye how bright, his cheek how fair, Of some more rare unfolding grace; He roved a swain of some sweet vale, His merry song we used to hear; The hero he of heart and eye. Anon a wishful glance he cast Where storied thrones their empire hold, And soon beyond the billowy Vast He leaped upon the shores of old! He sojourned long in classic halls, At learning's feast a favored guest, And oft within imperial walls, He tasted all delights, save-rest ! And all unquenchable its fire; But ah, not lasting, pure, or true! He knelt at many a gorgeous shrine; Were listless still the lingering hours. The sated truant to his home, And that Immortal taught to know But found his prize-a worthless World! But thither thee I cannot bring. THE WORLD FOR SALE!-Hang out the sign; And set me from earth's bondage free! 'Tis going!-yes, I mean to fling The bauble from my soul away; I'll sell it, whatsoe'er it bring; The World at Auction here to-day! It is a glorious thing to see; Ah, it has cheated me so sore! It is not what it seems to be: For sale! It shall be mine no more: Come, turn it o'er and view it well; I would not have you purchase dear; 'Tis going-going! I must sell! Who bids! Who'll buy the Splendid Tear! Here's Wealth in glittering heaps of gold, Who bids! but let me tell you fair, A baser lot was never sold; Who'll buy the heavy heaps of care! "Tis going! Love and I must part! An hour of bliss,-an age of Pain! Who bids for Friendship-as it is! 'Tis going-going!-Hear the call; Once, twice, and thrice!-Tis very low! "Twas once my hope, my stay, my all, But now the broken staff must go! Fame! hold the brilliant meteor high; How dazzling every gilded name! Ye millions, now's the time to buy! How much for Fame! How much for Fame! Hear how it thunders! would you stand On high Olympus, far renowned, Now purchase, and a world command!And be with a world's curses crowned! Sweet star of Hope! with ray to shine In every sad foreboding breast, Save this desponding one of mine, Who bids for man's last friend and best! This treasure should my soul sustain; And Song!-For sale my tuneless lute; The chords that charmed my soul are mute, Could chain a world in raptures high; Has taught my haughty heart to bow. And still its aching throb to bear; How broken, that was once so strong; How heavy, once so free from care. Ah, cheating earth!—could man but know, The nestling never long to fly! A flight-without a resting place! I weep, yet humbly kiss the rod; My Faith, my Bible, and my God. STRIKE! I've a liking for this "striking," Strike!-and make the effort tell! Go for ever hand in hand; The supply and the demand. My advice is, strike for prices Nobler far than sordid coin; Strike with terror, sin and error, And let man and master join. Every failing, now prevailing, In the heart or in the head,- Ere the plummet, from the summit, Lies in Truth's unerring laws; With the way his labor goes. WILLIS GAYLORD CLARK.-LEWIS GAYLORD CLARK. THE twin brothers Clark were born at Otisco, Onondaga county, New York, in the year 1810. Their father had served in the Revolutionary war, and was a man of reading and observation. Willis, on the completion of his education, under the care of this parent and the Rev. George Colton, a relative on his mother's side, went to Philadelphia, where he commenced a weekly periodical similar in plan to the New York Mir ror. It was unsuccessful and soon discontinued. He next became an assistant of the Rev. Dr. Brantley, a Baptist clergyman (afterwards President of the College of South Carolina), in the editorship of the Columbian Star, a religious newspaper. He retired from this position to take charge of the Philadelphia Gazette, the oldest daily journal of that city. He became its proprietor, and continued his connexion with it until his death. One of the most successful of Clark's literary productions was the Ollapodiana, a series of brief essays, anecdotes, and observations, continued from month to month in the Knickerbocker Magazine, of which his brother Lewis had become the editor. Mr. Clark was married in 1836 to Anne P. Caldeleugh, the daughter of a gentleman of Philadelphia. She was attacked by consumption, and died not long after her marriage. Her husband soon followed her, falling a victim to a lingering disease in June, 1841. Clark's poems, with the exception of The Spirit of Life-pronounced before the Franklin Society of Brown University in 1833-are brief, and were written for and published in his own journals and the magazines and annuals of the day. A portion were collected in a volume during his lifetime, and a complete edition appeared in New York in 1847. His Ollapodiana have also been collected, with a number of other prose sketches and his poems, in a volume of his Literary Remains, published in 1844. The humors and sensibility of the essayist and poet, alike witness to his warm, amiable sympathies. His mirth was rollicking, exuberant in anima. spirits, but always innocent, while his muse dwelt fondly on the various moods of nature, and portrayed domestic tenderness in the consolations of its darker hours of suffering and death. Mr. LEWIS GAYLORD CLARK is the editor of the Knickerbocker Magazine, having conducted that periodical since its third volume in 1832. He has become widely known by his monthly Editor's Table and Gossip with Readers and Correspondents, embracing a collection of the jests and on dits of the day, connected by a light running comment. A selection from the Gossip was published in one volume in 1852, with the title Knick-Knacks from an Editor's Table,* and a compliment has recently been paid to its author in the shape of a volume containing original contributions by many of the leading writers of the day, accompanied by their portraits, entitled The Knickerbocker Memorial. A SONG OF MAY. The spring scented buds all around me are swelling, There are songs in the stream, there is health in the gale; A sense of delight in each bosom is dwelling, As float the pure day-beams o'er mountain and vale, The desolate reign of Old Winter is broken, Mr Clark had previously published a volume of articles rom the Knickerbocker, by Washington Irving, Mr. Cary, Mr Shelton, and others, entitled The Knickerbocker SketchBook. The verdure is fresh upon every tree; Of Nature's revival the charm-and a token Of love, oh thou Spirit of Beauty! to thee. The sun looketh forth from the halls of the morning, He mounts to the zenith, and laughs on the wave; He wakes into music the green forest-bowers, The young bird is out on his delicate pinion— He pours, on the west wind's fragrant sigh: Alas! for my weary and care-haunted bosom! The spells of the spring-time arouse it no more; The song in the wild-wood, the sheen of the bios som, The fresh-welling fountain, their magic is o'er! When I list to the streams, when I look on the flowers, They tell of the Past with so mournful a tone, That I call up the throngs of my long-vanished hours, And sigh that their transports are over and gone. From the wide-spreading earth, from the limitless heaven, There have vanished an eloquent glory and gleam; To my veiled mind no more is the influence given, There are those who have loved me debarred from the day; The green turf is bright where in peace they are sleeping, And on wings of remembrance my soul is away. It is shut to the glow of this present existence, Where no mildew the soft damask-rose cheek shall nourish, Where Grief bears no longer the poisonous sting; Where pitiless Death no dark sceptre can flourish, Or stain with his blight the luxuriant spring. It is thus that the hopes which to others are given, Fall cold on my heart in this rich month of May; I hear the clear anthems that ring through the heaven, I drink the bland airs that enliven the day; And if gentle Nature, her festival keeping, Delights not my bosom, ah! do not condemn; O'er the lost and the lovely my spirit is weeping, For my heart's fondest raptures are buried with them. Thou hast TO MY BOY. fair unsullied cheek, A clear and dreaming eye, Whose bright and winning glances speak Of life's first revelry; And on thy brow no look of care Comes like a cloud, to cast a shadow there. In feeling's early freshness blest, Thy wants and wishes few: Rich hopes are garnered in thy breast, Is found, like diamonds, in the rose, Nestling, 'mid folded leaves, in sweet repose. Keep thus, in love, the heritage Of thy ephemeral spring; Keep its pure thoughts, till after-age Weigh down thy spirit's wing; Keep the warm heart, the hate of sin, And heavenly peace will on thy soul break in. And when the even-song of years Brings in its shadowy train The record of life's hopes and fears, Let it not be in vain, That backward on existence thou canst look, As on a pictured page or pleasant book. LINES Written at Laurel Hill Cemetery, near Philadelphia. Here the lamented dead in dust shall lie, Life's lingering languors o'er-its labors done; Where waving boughs, betwixt the earth and sky, Admit the farewell radiance of the sun. Here the long concourse from the murmuring town, And here the impressive stone, engraved with words Make cheerful music in the passing gale. Say, wherefore should we weep, and wherefore pour On scented airs the unavailing sigh While sun-bright waves are quivering to the shore, And landscapes blooming-that the loved should die? There is an emblem in this peaceful scene: Soon, rainbow colors on the woods will fall; And autumn gusts bereave the hills of green, As sinks the year to meet its cloudy pall. Then, cold and pale, in distant vistas round, Disrobed and tuneless, all the woods will stand! While the chained streams are silent as the ground, As Death had numbed them with his icy hand. Yet, when the warm soft winds shall rise in spring, Like struggling day-beams o'er a blasted heath, The bird returned shall poise her golden wing, And liberal Nature break the spell of Death. So, when the tomb's dull silence finds an end, The blessed Dead to endless youth shall rise; And hear the archangel's thrilling summons blend Its tones with anthems from the upper skies. There shall the good of earth be found at last, Where dazzling streams and vernal fields expand; Where Love her crown attains-her trials pastAnd, filled with rapture, hails the better la! OLD SONGS. Give me the songs I loved to hear, From lips that breathe them now no more; They rule its thrilling cords alone, Thus, when the portals of mine ear Those long-remembered lays receive, They seem like guests, whose voices cheer My breast, and bid it not to grieve: They ring in cadences of love, They tell of dreams now vanished all: Give me old songs! I know not why, Is pictured brightly to my view. I do not ask those sickly lays O'er which affected maidens bend; Which scented fops are bound to praise, To which dull crowds their homage lend Give me come simple Scottish song, Or lays from Erin's distant isle: Lays that to love and truth belong, And cause the saddest lip to smile! EDGAR A. POE. THE family of Edgar A. Poe was of ancient respectability in Maryland. His grandfather, David Poe, served in the Revolution, and was the personal friend of Lafayette. His father, David Poe, jr., was a law student at Baltimore, when, in his youth, he fell in love with an English actress on the stage, Elizabeth Arnold, married her, and took to the boards himself. Their son Edgar was born in Baltimore in January, 1811. After a career of several years of theatrical life, passed in the chief cities of the Union, the parents both died within a short period at Richmond, leaving three orphan children. Edgar was a boy of beauty and vivacity, and attracted the attention of a friend of his parents, John Allan, a wealthy merchant of Virginia, by whom he was adopted, and his education liberally provided for. In 1816 he was taken by Mr. and Mrs. Allan to England, and deposited for a stay of four or five years at a school near London; a passage of his youth which he has recurred to in almost the only instance in his writings in which he has any personal allusion to his own affairs. It was a trait, too, in his conversation that he seldom spoke of his own history. In his tale of William Wilson he has touched these early school-days with a poetical hand, as he recalls the awe of their formal discipline, and the admiration with which he saw the dingy head-master of the week ascend the village pulpit in clerical silk and dignity on Sunday. He returned home in his eleventh year, passed a short time at a Richmond academy, and entered the University at Charlottesville, where he might have attained the highest honors from the celerity of his wit as a student, had he not thrown himself upon a reckless course of dissipation which led to his expulsion from the college. His biographer, Griswold, tells us that he was at this time celebrated for his feats of personal hardihood: "On one occasion, in a hot day of June, swimming from Richmond to Warwick, seven miles and a half, against a tide running probably from two to three miles an hour." He left Charlottesville in debt, though he had been generously provided for by his friend Allan, whose benevolence, however, could not sustain the drafts freely drawn upon him for obligations incurred in gambling. Poe quarrelled with his benefactor, and abandoned his home with the Byronic motive, it is said, of assisting the Greeks in their struggle for liberty. He went abroad and passed a year in Europe, the history of which would be a matter of singular curiosity, if it could be recovered. It is known that he did not reach Greece, and that he was one day involved in some difficulty at St. Petersburgh, from which he was relieved by the American Minister, Mr. Henry Middleton, who provided him with the means of returning home. He was afterwards received into favor by Mr. Allan, who procured him an entrance as a cadet at West Point, an institution with which his wayward and reckless habits, and impracticable mind, were so much at war, that he was compelled to retire from it within the year. Mr. Allan having lost his first wife, married again, and Poe, still received with favor at the house, was soon compelled to leave it for ever, doubtless from gross misconduct on his part, for Mr. Allan had proved himself a much-enduring benefactor. Poe was now thrown upon his own resources. He had already written a number of verses, said to have been produced between his sixteenth and nineteenth years, which were published in Baltiinore in 1829, with the title Al Aaraaf, Tamerlane, and Minor Poems.t Taking the standards of the country, and the life of the young author in Virginia into consideration, they were singular productions. A certain vague poetic luxury and sensuousness of mere sound, distinct from definite meaning, peculiarities which the author refined upon in his latest and best poems, characterize these juvenile effusions. Al Aaraaf is an oriental poetic mystification, with some fine chanting in Griswold's Memoirs, x. + Baltimore: Hatch & Dunning, 1829. 8vo. pp. 71. Edgare 43 it, particularly a melodious dithyrambic on one of the poet's airy maidens, Ligeia. A certain longing of passion, without hearty animality, marked thus early the ill-regulated disposition of a man of genius uncontrolled by the restraint of sound principle and profound literary motives. Other young writers have copied this strain, and have written verses quite as nonsensical without any corruption of heart; but with Poe the vein was original. His whole life was cast in that mould; his sensitive, spiritual organization, deriving no support from healthy moral powers, became ghostly and unreal. His rude contact with the world, which might have set up a novelist for life with materials of adventure, seems scarcely to have impinged upon his perceptions. His mind, walking in a vain show, was taught nothing by experience or suffering. Altogether wanting in the higher faculty of humor, he could extract nothing from the rough usages of the world but a cold, frivolous mockery of its plans and pursuits. His intellectual enjoyment was in the power of his mind over literature as an art; his skill, in forcing the mere letters of the alphabet, the dry elements of the dictionary, to take forms of beauty and apparent life which would command the admiration of the world. This may account for his sensitiveness as to the recep A lady of this city wittily mentioned her first impressions of his unhappy, distant air, in the opening lines of Goldsmith's Traveller: Remote, unfriended, melancholy, slow, Or by the lazy Scheldt, or wandering Po. A gentleman, who was a fellow-cadet with him at West Point, has described to us his utter inefficiency and state of abstractedness at that place. He could not or would not follow its mathematical requirements. His mind was off from the matter-of-fact routine of the drill, which in such a case as his seemed practical joking, on some etherial, visionary expedition. He was marked, says our informant, for an early death, if only from the incompatibility of soul and body. They had not the usual relations to each other, and were on such distant terms of acquaintance that a separation seemed inevitable! |