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courage (cour-age), taking our name from the heart. It is the greatness of a great heart, the repose and confidence of a man whose soul is rested in truth and principle. Such a man has no ends ulterior to his duty,-duty itself is his end. He is in it therefore as in play, lives it as an inspiration. Lifted thus out of mere prudence and contrivance, he is also lifted above fear. Life to him is the outgoing of his great heart (heart-age), action from the heart. And because he now can die, without being shaken or perturbed by any of the dastardly feelings that belong to self-seeking and work, because he partakes of the impassibility of his principles, we call him a hero, regarding him as a kind of god, a man who has gone up into the sphere of the divine.

Then, since courage is a joy so high, a virtue of so great majesty, what could happen but that many will covet both the internal exaltation and the outward repute of it? Thus comes bravery, which is the counterfeit, or mock virtue. Courage is of the heart, as we have sail; bravery is of the will. One is the spontaneous joy and repose of a truly great soul; the other, bravery, is after an end ulterior to itself, and, in that view, is but a form of work,— about the hardest work, too, I fancy, that some men undertake. What can be harder, in fact, than to act a great heart, when one has nothing but a will wherewith to do it?

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Thus you will see that courage is above danger, bravery in it, doing battle on a level with it. 18 secure and tranquil, the other suppresses agitation or conceals it. A right mind fortifies one, shame stimulates the other. Faith is the nerve of one, risk the plague and tremor of the other. For if I may tell you just here a very important secret, there be many that are called heroes who are yet without courage. They brave danger by their will, when their heart trembles. They make up in violence what they want in tranquillity, and drown the tumult of their fears in the rage of their passions. Enter the heart and you shall find, too often, a dastard spirit lucking in your hero. Call him still a brave man, if you will, only remember that he lacks

courage.

No, the true hero is the great, wise man of duty, -he whose soul is armed by truth and supported by the smile of God, he who meets life's perils with a cautious but tranquil spirit, gathers strength by facing its storms, and dies, if he is called to die, as a Christian victor at the post of duty. And if we must have heroes, and wars wherein to make them, there is no so brilliant war as a war with wrong, no hero so fit to be sung as he who has gained the bloodless victory of truth and mercy.

But if bravery be not the same as courage, still it is a very imposing and plausible counterfeit. The man himself is told, after the occasion is past, how heroically he bore himself, and when once his nerves have become tranquillized, he begins even to believe it. And since we cannot stay content in the dull, uninspired world of economy and work, we are as ready to see a hero as he to be one. Nay, we must have our heroes, as I just said, and we are ready to harness ourselves, by the million, to any man who will let us fight him out the name. Thus we find out occasions for war,-wrongs to be redressed, revenges to be taken, such as we may feign inspiration and play the great heart under. collect armies, and dress up leaders in gold and high colors, meaning, by the brave look, to inspire so'ne notion of a hero beforehand. Then we set the men in phalanxes and squadrons, where the personality itself is taken away, and a vast impersonal person called an army, a magnanimous and brave monster, is all that remains. The masses of fierce

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color, the glitter of steel, the dancing plumes, the waving flags, the deep throb of the music lifting every foot,-under these the living acres of men, possessed by the one thought of playing brave today, are rolled on to battle. Thunder, fire, dust, blood, groans,-what of these?-nobody thinks of these, for nobody dares to think till the day is over, and then the world rejoices to behold a new batch of heroes!

And this is the devil's play, that we call war. We have had it going on ever since the old geologic era was finished. We are sick enough of the matter of it. We understand well enough that it is not good economy. But we cannot live on work. We inust have courage, inspiration, greatness, play. Even the moral of our nature, that which is to weave us into social union with our kind before God, is itself thirsting after play; and if we cannot have it in good, why then let us have it in as good as we can. It is at least some comfort, that we do not mean quite as badly in these wars as some men say. We are not in love with murder, we are not simple tigers in feeling, and some of us come out of battle with kind and gentle qualities left. We only must have our play.

Note also this, that, since the metaphysics of fighting have been investigated, we have learned to make much of what we call the moral of the army; by which we mean the feeling that wants to play brave. Only it is a little sad to remember that this same moral, as it is called, is the true, eternal, moral nature of the man thus terribly perverted,-that which was designed to link him to his God and his kind, and ought to be the spring of his immortal inspirations.

There has been much of speculation among the learned concerning the origin of chivalry; nor has it always been clear to what human elements this singular institution is to be referred. But when we look on man, not as a creature of mere u: derstanding and reason, but as a creature also of play, essentially a poet in that which constitutes his higher life, we seem to have a solution of the origin of chivalry, which is sufficient, whether it be true or In the forswearing of labor, in the brave adventures of a life in arms, in the intense ideal devotion to woman as her protector and avenger, in the self-renouncing and almost self-oblivious worship of honor,-what do we see in these but the mock moral doings of a creature who is to escape self-love and the service of ends in a free, spontaneous life of goodness, in whom courage, delicacy, honor, disinterested deeds, are themselves to be the inspiration, as they are the end, of his being?

not.

I might also show, passing into the sphere of religion, how legal obedience, which is work, always descends into superstition, and thus that religion must, in its very nature and life, be a form of play, -a worship offered, a devotion paid, not for some ulterior end, but as being its own end and joy. I might also show, in the same manner, that all the enthusiastic, fanatical, and properly quietistic modes of religion are as many distinct counterfeits, and, in that manner, illustrations of my subject. But this' you will see at a glance, without illustration. Only observe how vast a field our illustrations cover. In the infatuated zeal of our race for the acquisition of money, in the drama, in war, in chivalry, in pers verted religion,-in all these forms, covering almost the whole ground of humanity with counterfeits of play, that are themselves the deepest movements of the race, I show you the boundless sweep of this divine instinct, and how surely we may know that the perfected state of man is a state of beauty, truth, and love, where life is its own end a d joy.

GEORGE DENISON PRENTICE,

THE editor of the Louisville Journal, is a native of Connecticut, born at Preston, New London county, December 18, 1802. He was educated at Brown University, studied law but did not engage in the profession, preferring the pursuits of editorial life. In 1828 he commenced the New England Weekly Review at Hartford, a well conducted and well supported journal of a literary character, which he carried on for two years, when, resigning its management to Mr. Whittier, he removed to the West,established himself in Kentucky at Louisville, and shortly became editor of the "Journal," a daily paper in that city, In his hands it has become one of the most widely known and esteemed newspapers in the country; distinguished by its fidelity to Whig politics, and its earnest, able editorials, no less than by the lighter skirmishing of wit and satire. The "Prenticciana" of the editor are famous. If collected and published with appropriate notes these mots would form an amusing and instructive commentary on the management of elections, newspaper literature, and political oratory, of permanent value as a memorial of the times.

The Louisville Journal has always been a supporter of the cause of education and of the literary interest in the West. It has hence become, in accordance with the known tastes of the editor, a favorite avenue of young poets to the public. Several of the most successful lady writers of the West have first become known through their contributions to the "Journal."

Mr. Prentice's own poetical writings are numerous. Many of them first appeared in the author's "Review" at Hartford. A number have been collected by Mr. Everest in the "Poets of Connecticut." They are in a serious vein, chiefly expressions of sentiment and the domestic affections. Our specimen is taken from Mr. Gallagher's "Selections from the Poetical Literature of the West."

THE FLIGHT OF YEARS.

Gone! gone for ever!-like a rushing wave
Another year has burst upon the shore
Of earthly being-and its last low tones,
Wandering in broken accents on the air,
Are dying to an echo.

The gay Spring,

With its young charms, has gone-gone with its leaves

Its atmosphere of roses-its white clouds
Slumbering like seraphs in the air-its birds
Telling their loves in music-and its streams
Leaping and shouting from the up-piled rocks
To make earth echo with the joy of waves.
And Summer, with its dews and showers, has gone-
Its rainbows glowing on the distant cloud
Like Spirits of the Storm-its peaceful lakes
Smiling in their sweet sleep, as if their dreams
Were of the opening flowers and budding trees
And overhanging sky-and its bright mists
Resting upon the mountain-tops, as crowns
Upon the heads of giants. Autumn too
Has gone, with all its deeper glories-gone
With its green hills like altars of the world
Lifting their rich fruit-offerings to their God-
Its cool winds straying 'mid the forest aisles
To wake their thousand wind-harps-its serene
And holy sunsets hanging o'er the West

Like banners from the battlements of Heaven-
And its still evenings, when the moonlit sea
Was ever throbbing, like the living heart
Of the great Universe. Ay-these are now
But sounds and visions of the past-their deep,
Wild beauty has departed from the Earth,
And they are gathered to the embrace of Death,
Their solemn herald to Eternity.

Nor have they gone alone. High human hearts
Of Passion have gone with them. The fresh dust
Is chill on many a breast, that burned erewhile
With fires that seemed immortal. Joys, that leaped
Like angels from the heart, and wandered free
In life's young morn to look upon the flowers,
The poetry of nature, and to list

The woven sounds of breeze, and bird, and stream,
Upon the night-air, have been stricken down
In silence to the dust. Exultant Hope,
That roved for ever on the buoyant winds
Like the bright, starry bird of Paradise,
And chaunted to the ever-listening heart
In the wild music of a thousand tongues,
Or soared into the open sky, until
Night's burning gems seemed jewelled on her brow,
Has shut her drooping wing, and made her home
Within the voiceless sepulchre. And Love,
That knelt at Passion's holiest shrine, and gazed
On his heart's idol as on some sweet star,
Whose purity and distance make it dear,
And dreamed of ecstasies, until his soul
Seemed but a lyre, that wakened in the glance
Of the beloved one-he too has gone
To his eternal resting-place. And where
Is stern Ambition-he who madly grasped
At Glory's fleeting phantom-he who sought
His fame upon the battle-field, and longed
To make his throne a pyramid of bones
Amid a sea of blood? He too has gone!
His stormy voice is mute-his mighty arm
Is nerveless on its clod--his very name
Is but a meteor of the night of years
Whose gleams flashed out a moment o'er the Earth,
And faded into nothingness. The dream
Of high devotion-beauty's bright array-
And life's deep idol memories-all have passed
Like the cloud-shadows on a starlight stream,
Or a soft strain of music, when the winds
Are slumbering on the billow.

Yet, why muse

Upon the past with sorrow? Though the year
Has gone to blend with the mysterious tide
Of old Eternity, and borne along
Upon its heaving breast a thousand wrecks
Of glory and of beauty-yet, why mourn
That such is destiny? Another year
Succeedeth to the past-in their bright round
The seasons come and go-the same blue arch,
That hath hung o'er us, will hang o'er us yet-
The same pure stars that we have loved to watch,
Will blossom still at twilight's gentle hour
Like lilies on the tomb of Day-and still
Man will remain, to dream as he hath dreamed,
And mark the earth with passion. Love will spring
From the lone tomb of old Affections--Hope
And Joy and great Ambition, will rise up
As they have risen--and their deeds will be
Brighter than those engraven on the scroll
Of parted centuries. Even now the sea
Of coming years, beneath whose mighty waves
Life's great events are heaving into birth,
Is tossing to and fro, as if the winds

Of heaven were prisoned in its soundless depths
And struggling to be free.

Weep not, that Time Is passing on-it will ere long reveal A brighter era to the nations. Hark! Along the vales and mountains of the earth There is a deep, portentous murmuring, Like the swift rush of subterranean streams, Or like the mingled sounds of earth and air, When the fierce Tempest, with sonorous wing, Heaves his deep folds upon the rushing winds, And hurries onward with his night of clouds Against the eternal mountains. "Tis the voice Of infant FREEDOM-and her stirring call Is heard and answered in a thousand tones From every hill-top of her western homeAnd lo-it breaks across old Ocean's floodAnd "FREEDOM! FREEDOM! is the answering shout Of nations starting from the spell of years. The day-spring-see-'tis brightening in the hea

vens!

The watchmen of the night have caught the sign-
From tower to tower the signal-fires flash free-
And the deep watch-word, like the rush of seas
That heralds the volcano's bursting flame,
Is sounding o'er the earth. Bright years of hope
And life are on the wing!-Yon glorious bow
Of Freedom, bended by the hand of God,
Is spanning Time's dark surges. Its high Arch,
A type of Love and Mercy on the cloud,
Tells, that the many storms of human life
Will pass in silence, and the sinking waves,
Gathering the forms of glory and of peace,
Reflect the undimmed brightness of the Heavens.

CHARLES E. ARTHUR GAYARRE. CHARLES E. ARTHUR GAYARRE was born in Louisiana on the 3d of January, 1805. He is of mixed descent, Spanish and French. His father, Charles Anastase Gayarré, and his mother, Marie Elizabeth Boré, were natives of Louisiana. His family is one of the most ancient in the state, and historic in all its branches and roots. Some of his ancestors were the contemporaries of Bienville and Iberville, the founders of the colony.

The subject of this notice was educated in New Orleans, at the college of the same name, where he pursued his studies with marked distinction. In 1825, when Mr. Edward Livingston laid before the Legislature of Louisiana the criminal code which he had prepared at the request of the state, Mr. Gayarré, then quite a youth, published a pamphlet, in which he opposed some of Mr. Livingston's views, and particularly the abolition of capital punishment, which Mr. Gayarré considered a premature innovation, and of dangerous application to the State of Louisiana, for certain reasons which he discussed at length. The pamphlet produced great sensation at the time, and the adoption of the code was indefinitely postponed by the legislature. In 1826 Mr. Gayarré went to Philadelphia, and studied law in the office of William Rawle. In 1829 he was admitted to the bar of that city; and in 1830 returned home, and published in French An Historical Essay on Louisiana, which obtained great success. same year, only a few months after his return, he was elected, almost by a unanimous vote, one of the representatives of the city of New Orleans in the legislature, and was chosen by that body to write the "Address," which it sent to France, to compliment the French Chambers on the revolution of 1830. In 1831 he was appointed assistant or deputy attorney-general, in 1833 preTCL. IL--25

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siding judge of the city court of New Orleans; and in 1835, when he had just attained the constitutional age, was elected to the Senate of the United States for a term of six years. Ill health prevented Mr. Gayarré from taking his seat, and compelled him to go to Europe, where he remained until October, 1843. In 1844, shortly after his return, Mr. Gayarré was elected by the city of New Orleans to the legislature of the state, where he advocated and carried several important measures, among which was a bill to provide for the liabilities of the state, and which in a short time effected a reduction of two millions and a half of dollars. In 1816 he was re-elected at the expiration of his term; but on the very day the legislature met he was appointed secretary of state by Governor Johnson. That office was then one of the most important and laborious in the state, the secretary being at that time, besides his ordinary functions as such, superintendent of public education, and constituting with the treasurer the "Board of Currency," whose province it is to exercise supreme control and supervision over all the banks of the state. Mr. Gayarré discharged his multifarious duties in a manner which will long be remembered, particularly in connexion with the healthy condition in which he maintained the banks. At the expiration of his four years' term of office, he was re-appointed secretary of state by Governor Walker in 1850. Mr. Gayarré, during the seven years he was secretary of state, found time to publish in French a History of Loui siana, in two volumes, containing very curious documents, which he had collected from the archives of France. He also published in English, in one volume, the Romance of the History of Louisiana, and in English subsequently the History of Louisiana, in two volumes. This continuous work is not a translation of the one he wrote in French. It is cast in a different mould, and contains much matter not to be found in the French work. The Romance of the History of Louisiana is appended to it as an introduction. Mr. Redfield, of New York, has published Mr. Gayarré's history of the Spanish Domination in Louisiana, coming down to the 20th of December, 1803, when the United States took possession of the colony, in which work he makes some remarkable disclosures in relation to the Spanish intrigues in the West carried on with the co-operation of General Wilkinson and others, from 1786 to 1792, to dismember the Union, and gives a full account of the negotiations which led to the cession.

As secretary of state, Mr. Gayarre made so judicious a use of the sum of seven thousand dollars, which he had at his disposal for the purchase of books, that he may be said to be the father of the state library; and with the very limited sum of two thousand dollars, which, at his pressing request, was voted by the legislature for the purchase of historical documents, he succeeded, by dint of perseverance and after two years' negotiations, in obtaining very important documents from the archives of Spain, the substance of which he has embodied in his history of the Spanish Domination in Louisiana.

Mr. Gayarre has lately given to the public two lectures on The Influence of the Mechanic Arts, and a dramatic novel, called the School for Politics, a humorous and satirical exhibition of the party

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frauds and relaxed political sentiment of the day, which may be presumed to have grown out of the writer's experiences, some of which are detailed, in a more matter of fact form, in an Address to the People of the State, which he published on the "late frauds perpetrated at the election held on the 7th of November, 1853, in the city of New Orleans." Mr. Gayarré was on that occasion an independent candidate for Congress, refusing to be controlled by the party organization, and was defeated, though he polled a large and influential vote. His undisguised sentiments, in regard to the political manoeuvres of the times, are freely expressed at the close of his pamphlet.

He has since taken part in the "Know-Nothing" organization of his native state; and was one of the delegates excluded from the general council of the party at Philadelphia in June, 1855, on the ground of their position as Roman Catholics. This drew from him a privately printed address, in which, with animation and vigor, he handles the question of religious proscription.

As a writer, the prose of Mr. Gayarré is marked by the French and Southern characteristics. It is warm, full, rhetorical, and constantly finds expression in poetical imagery. In his comedy, where the style is restrained by the conversational directness, there are many passages of firm, manly English. As an historian, though his narratives are highly colored, in a certain vein of poetical enthusiasin, they are based on the diligent study of origin: authorities, and are to be consulted with confidence; the subjects of his early volumes are in themselves romantic, and the story is always of the highest interest. His last volume brings him to the discussion of a most important era in our political history.

YATHER DAGOBERT.

The conflict which had sprung up between the Jesuits and Capuchins, in 1755, as to the exercise of spiritual jurisdiction in Louisiana, may not have been

* From the History of the Spanish Domination in Louisiana.

forgotten. The Bishop of Quebec had appointed a Jesuit his Vicar-General in New Orleans, but the Capuchins pretended that they had, according to a contract passed with the India company, obtained exclusive jurisdiction in Lower Louisiana, and therefore had opposed therein the exercise of any pastoral functions by the Jesuits. The question remained undecided by the Superior Council, which felt considerable reluctance to settle the controversy by some final action, from fear perhaps of turning against itself the hostility of both parties, although it leaned in favor of the Capuchins. From sheer lassitude there had ensued a sort of tacit truce, when father Hilaire de Géneveaux, the Superior of the Capuchins, who, for one of a religious order proverbially famed for its ignorance, was a man of no mean scholarship and of singular activity, quickened by a haughty and ambitious temper, went to visit Europe, without intimating what he was about, and returned with the title of Apostolic Prothonotary, under which he claimed, it seems, the power to lord it over the Jesuit who was the Vicar-General of the Bishop of Quebec. Hence an increase of wrath on the part of the Jesuits and a renewal of the old quarrel, which ceased only when the Jesuits were expelled from all the French dominions. But the triumph of father Géneveaux was not of long duration; for, in 1766, the Superior Council, finding that he was opposed to their scheme of insurrection, had expelled him as a perturber of the public peace, and father Dagobert altogether in a very fine house of their own, and had become Superior of the Capuchins. They lived

there never had been a more harmonious community than this one was, under the rule of good father Dagobert.

He had come very young in the colony, where he had christened and married almost everybody, so that he was looked upon as a sort of spiritual father and tutor to all. He was emphatically a man of peace, and if there was anything which father Dagobert hated in this world, if he could hate at all, it was trouble-trouble of any kind-but particularly of that sort which arises from intermeddling and not be popular with old and young, with both sexes, contradiction. How could, indeed, father Dagobert and with every class? Who could have complained of one whose breast harbored no ill feeling towards anybody, and whose lips never uttered a harsh word in reprimand or blame, of one who was satisfied with himself and the rest of mankind, provided he was allowed to look on with his arms folded, leaving angels and devils to follow the bent of their nature in their respective departments? Did not his ghostly subordinates do pretty much as they pleased? And if they erred at times-why-even holy men were known to be frail! And why should not their peccadilloes be overlooked or forgiven for the sake of fairly suppose him so to have thought, from the the good they did? It was much better (we may heaven and for the world, to let things run smooth knowledge we have of his acts and character), for and easy, than to make any noise. Was there not enough of unavoidable turmoil in this valley of tribulations and miseries? Besides, he knew that God was merciful, and that all would turn right in the end. Why should he not have been an indulgent shepherd for his flock, and have smiled on the prodigal son after repentance, and even before, in order not to frighten him away? If the extravagance of the sinning spendthrift could not be checked, why should not he, father Dagobert, be permitted, by sitting at the hospitable board, to give at least some dignity to the feast, and to exorcise away the ever lurking spirit of evil? Did not Jesus sit at meal with publicans and sinners? Why then should not

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father Dagobert, when he went out to christen, or to marry at some private dwelling, participate in convivialities, taste the juice of the grape, take a hand in some innocent game, regale his nostrils with a luxurious pinch of snuff, and look with approbation at the merry feats of the dancers? Where was the harm? Could not a father sanctify by his presence the rejoicings of his children? Such were perhaps some of the secret reasonings of the reverend capuchin.

By some pedantic minds father Dagobert might have been taxed with being illiterate, and with knowing very little beyond the litanies of the church. But is not ignorance bliss? Was it not to the want of knowledge, that was to be attributed the simplicity of heart, which was so edifying in one of his sacred mission, and that humility to which he was sworn? Is it not written; "Blessed are the poor in spirit; for theirs is the kingdom of heaven." Why should he understand Latin, or so many other musty inexplicable things? Was not the fruit of the tree of knowledge the cause of the perdition of man? Besides, who ever heard of a learned capuchin? Would it not have been a portentous anomaly? If his way of fasting, of keeping the holydays, of saying mass, of celebrating marriages, of christening, of singing prayers for the dead, and of hearing confessions, of inflicting penance, and of performing all his other sacerdotal functions, was contrary to the ritual and to the canons of the church-why-he knew no better. What soul had been thereby endangered? His parishioners were used to his ways? Was he, after fifty years of labor in the vineyard of the Lord, to change his manner of working, to admit that he had blundered all the time, to dig up what he had planted, and to undertake, when almost an octogenarian, the reform of himself and others? Thus, at least, argued many of his friends.

They were sure that none could deny, that all the duties of religion were strictly performed by his parishioners. Were not the women in the daily habit of confessing their sins? And if he was so very mild in his admonitions, and so very sparing in the infliction of harsh penance on them, why not suppose that it was because the Saviour himself had been very lenient towards the guiltiest of their sex? It was the belief of father Dagobert, that the faults of women proceeded from the head and not from the heart, because that was always kind. Why then hurl thunderbolts at beings so exquisitely delicate and so beautifully fragile-the porcelain work of the creator-when they could be reclaimed by the mere scratch of a rose's thorn, and brought back into the bosom of righteousness by the mere pulling of a silken string? As to the men, it is true that they never haunted the confessional; but perhaps they had no sins to confess, and if they had, and did not choose to acknowledge them, what could he do? Would it have been sound policy to have annoyed them with fruitless exhortations, and threatened them with excommunication, when they would have laughed at the brutum fulmen? Was it not better to humor them a little, so as to make good grow out of evil? Was not their aversion to confession redeemed by manly virtues, by their charity to the poor and their generosity to the church? Was not his course of action subservient to the interest both of church and state, within the borders of which it was calculated to maintain order and tranquillity, by avoiding to produce discontents, and those disturbances which are their natural results? Had he not a right, in his turn, to expect that his repose should never be interrupted, when he was so sedulously attentive to that of others, and so cheerfully complying with the exigencies of every flitting hour?

When the colonists had thought proper to go into an insurrection, he, good easy soul, did not see why he should not make them happy, by chiming in with their mood at the time. Did they not, in all sincerity, think themselves oppressed, and were they not contending for what they believed to be their birthrights? On the other hand, when the Spaniards crushed the revolution, he was nothing loth, as vicar general, to present himself at the portal of the cathedral, to receive O'Reilly with the honors due to the representative of royalty, and to bless the Spanish flag. How could he do otherwise? Was it not said by the Master: "render unto Cæsar the things which are Cæsar's?" Why should the new lords of the land be irritated by a factious and bootless opposition? Why not mollify them, so as to obtain as much from them as possible, in favor of his church and of his dearly beloved flock? Why should he not be partial to the Spaniards? Had they not the reputation of being the strictest catholies in the world.

Such was the character of father Dagobert even in his youth. It had developed itself in more vigorous and co-ordinate proportions, as his experience extended, and it had suggested to him all his rules of action through life. With the same harmonious consistency in all its parts it had continued to grow, until more than threescore years had passed over father Dagobert's head. It was natural, therefore, notwithstanding what a few detractors might say, that he should be at a loss to discover the reasons why he should be blamed, for having logically come to the conclusions which made him an almost universal favorite, and which permitted him to enjoy

his ease in his own inn," whilst authorizing him to hope for his continuing in this happy state of existence, until he should be summoned to the "bourne whence no traveller returns." Certain it is that, whatever judgment a rigid moralist might, on a close analysis, pass on the character of father Dagobert, it can hardly be denied, that to much favor would be entitled the man, who, were he put to trial, could with confidence, like this poor priest, turn round to his subordinates and fellow-beings, and say unto them: "I have lived among you for better than half a century: which of you have I ever injured?” Therefore, father Dagobert thought himself possessed of an unquestionable right to what he loved so much: his ease, both in his convent and out of it, and his sweet uninterrupted dozing in his comfortable arm chair.

GEORGE W. BETHUNE.

DR. BETHUNE, the popular divine, poet, and wit, was born March, 1805, in the city of New York. After receiving a liberal education, he was ordained in 1826 a Presbyterian minister, but in the following year joined the Dutch Reformed communion. His clerical career was commenced at Rhinebeck on the Hudson, from whence he removed to Utica; and in 1834, to Philadelphia. In 1849, he again removed to Brooklyn, where he still remains, at the head of a large and influential congregation.

Dr. Bethune is the author of The Fruit of the Spirit, Early Lost, Early Saved, The History of a Penitent; all popular works of a devotional character. In 1848, he published Lays of Love and Faith, and other Poems; and in 1850, a volume of Orations, and Occasional Discourses. He has also collected and published a portion of his Sermons.

In 1847, he edited the first American edition

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