Pursuing Shakespeare's Dramaturgy: Some Contexts, Resources, and Strategies in His PlaymakingFairleigh Dickinson Univ Press, 2003 - 489 psl. "It is especially concerned with what can be said about Shakespeare's intentions as he shaped his plays. There are, the book maintains, important but still inadequately appreciated dramatic designs built into the plays, and there are clever strategies that have gone unnoticed but may yet be discerned by the careful application of dramaturgical analysis." "The Shakespeare studied in this book is Shakespeare the playmaker, engaged in every step of the process from the first draft of the text to the performance before a live audience. This, the author contends, is the Shakespeare that is most essential, the Shakespeare who should be known as the foundation underlying any other treatment of the plays, and the Shakespeare most exciting and rewarding to pursue."--BOOK JACKET. |
Knygos viduje
Rezultatai 1–5 iš 63
29 psl.
... final- ized form . Henslowe's diary demonstrates that for the rival com ... final script . That leaves skimpy time for reconsiderations , reformulations , and ... scene of Julius Caesar , and Menenius in Coriolanus 1.1 , and More's ...
... final- ized form . Henslowe's diary demonstrates that for the rival com ... final script . That leaves skimpy time for reconsiderations , reformulations , and ... scene of Julius Caesar , and Menenius in Coriolanus 1.1 , and More's ...
48 psl.
... scene breaks , the stage is cleared after Prospero's final speech to Ariel in act 4 , and act 5 begins with the reentry of Prospero and Ariel . There is no other unquestionable case of this kind of exit with immediate reentry in ...
... scene breaks , the stage is cleared after Prospero's final speech to Ariel in act 4 , and act 5 begins with the reentry of Prospero and Ariel . There is no other unquestionable case of this kind of exit with immediate reentry in ...
49 psl.
... final scene , Ariel once again fetches garments for Prospero's ducal appurtenances while his master waits on- stage ... scene di- visions ? The case is , to begin with , similar . No scenes are marked in any of the plays printed while ...
... final scene , Ariel once again fetches garments for Prospero's ducal appurtenances while his master waits on- stage ... scene di- visions ? The case is , to begin with , similar . No scenes are marked in any of the plays printed while ...
70 psl.
Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
71 psl.
Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
Pasiekėte šios knygos galimų peržiūrėti puslapių ribą.
Turinys
17 | |
25 | |
43 | |
Speech Headings and Stage Directions | 69 |
Shakespeares Stages as Limit and Opportunity | 100 |
Actors Styles and Playing Conditions | 150 |
Creating and Deploying a Shakespearean Cast | 181 |
Costumes | 223 |
Stage Properties | 261 |
Sound and Music | 297 |
The Arts and Crafts of Language | 324 |
Shakespeares Audiences | 377 |
Epilogue | 420 |
Bibliography | 472 |
Index | 485 |
Kiti leidimai - Peržiūrėti viską
Pursuing Shakespeare's Dramaturgy– Some Contexts, Resources, and Strategies ... John C. Meagher Trumpų ištraukų rodinys - 2003 |
Pagrindiniai terminai ir frazės
action actors Admiral's Men Andrew Gurr appears appropriate audience Blackfriars Cambridge Capulet characters Clown Comedy compositors costume course curtains Cymbeline door dramatic dramaturgical earlier edition effect Elizabethan Stage English enters entry evidence exit Falstaff final scene Folio Fool galleries gates Gentlemen of Verona Gerald Eades Bentley gesture given Globe Hamlet haue Henry Henry VI Henslowe Henslowe's Jonson King Lear language later Lear's least lines London Lord Lord Chamberlain's Men masque matic maturgical Midsummer Night's Dream offstage onstage opening performance perhaps platform plausible play's players playhouse playmaking printed probably prop prose Prospero punctuation Quartos Richard Richard II role Romeo and Juliet says seats seems Shake Shakespeare Shakespeare's company Shakespeare's plays Shakesperiod song speaks speare speare's specific speech headings stage direction suggest textual theater theatrical tion University Press usually verse W. W. Greg words
Populiarios ištraukos
463 psl. - ... only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour.
406 psl. - The true artificer will not run away from Nature as he were afraid of her, or depart from life and the likeness of truth, but speak to the capacity of his hearers. And though his language differ from the vulgar somewhat, it shall not fly from all humanity, with the Tamerlanes and Tamer-chams of the late age, which had nothing in them but the scenical strutting and furious vociferation to warrant them to the ignorant gapers.
68 psl. - Tis time ; descend ; be stone no more : approach ; Strike all that look upon with marvel. Come ; I'll fill your grave up : stir ; nay, come away ; Bequeath to death your numbness, for from him. Dear life redeems you.
152 psl. - ... a precisian; and so of divers others. I observe, of all men living, a worthy actor in one kind is the strongest motive of affection that can be; for, when he dies, we cannot be persuaded any man can do his parts like him.
34 psl. - Who, as he was a happie imitator of Nature, was a most gentle expresser of it. His mind and hand went together: And what he thought, he vttered with that easinesse, that wee haue scarse receiued from him a blot in his papers.
435 psl. - Present not yourself on the stage, especially at a new play, until the quaking Prologue hath by rubbing got colour into his cheeks, and is ready to give the trumpets their cue that he is upon point to enter ; for then it is time, as though you were one of the properties, or that you dropped out of the hangings, to creep from behind the arras, with your tripos or threefooted stool in one hand and a teston mounted between a fore-finger and a thumb in the other...
252 psl. - I may scape, I will preserve myself: and am bethought To take the basest and most poorest shape, That ever penury, in contempt of man, Brought near to beast...
354 psl. - O, who can hold a fire in his hand, By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite, By bare imagination of a feast?