Certain Relations Between Poetic Style and Characterization in Elizabethan DramaStanford University, 1957 - 172 psl. |
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9 psl.
... involved make any statement about Marlowe's intention tentative , it seems clear that there are significant variations in the style of Faustus ' speeches , even in the uncorrupted sections of the play . As the moral character of Faustus ...
... involved make any statement about Marlowe's intention tentative , it seems clear that there are significant variations in the style of Faustus ' speeches , even in the uncorrupted sections of the play . As the moral character of Faustus ...
36 psl.
... involved structural figures . M. A. Bayfield makes this comment about it : It is indeed just a superb tour de force in its affectation of artless simplicity , and never perhaps has Shakespeare's un- approachable genius shown itself ...
... involved structural figures . M. A. Bayfield makes this comment about it : It is indeed just a superb tour de force in its affectation of artless simplicity , and never perhaps has Shakespeare's un- approachable genius shown itself ...
55 psl.
... involved in his speeches , as in these lines : On horror's head horrors accumulate ; III . iii . 372 . Her name , that was as fresh As Dian's visage , is now begrined and black As my own face . If there be cords or knives , Poison , or ...
... involved in his speeches , as in these lines : On horror's head horrors accumulate ; III . iii . 372 . Her name , that was as fresh As Dian's visage , is now begrined and black As my own face . If there be cords or knives , Poison , or ...
Turinys
MARLOWE AND THE BEGINNINGS OF A METHOD | 8 |
SHAKESPEARE AND SOPHISTICATED HANDLING OF STYLE | 21 |
WEBSTER AND JONSON | 64 |
Nerodoma skirsnių: 1
Pagrindiniai terminai ir frazės
action alliteration anaphora antanaclasis antonomasia Antony appears argument attitude basic becomes blank verse Bosola caesurae Cassius characterization clauses Clemen comedy concise couplets Desdemona detail dialogue diction dignified discourse Doctor Faustus doth dramatic personalities dramatist Duchess of Malfi Edward Edward II effective elements Elizabethan drama emotional enjambment erotema euphuistic style example exsufflicate feature Ferdinand following passage Gaveston hath haue honourable Iago imagery indicate individual involved isocolon Jonson and Webster Julius Caesar king language lines major characters manner of speaking manner of speech Marlowe mature moral Mortimer noble Othello particular passion pattern play poetic style poetry polyptoton presentation of character Prof prose qualities reason repetition reveal rhetorical figures rhetorical question rhythm Rome scene Sejanus sentence and phrase sententiae set speeches Shakespeare shows significant soliloquy sophisticated structural figures stylistic devices synonymia thee thou thought in different tragedy variations in style various White Devil whore words