Drawing the Global Colour Line: White Men's Countries and the International Challenge of Racial Equality

Priekinis viršelis
Cambridge University Press, 2008-01-24
In 1900 W. E. B. DuBois prophesied that the colour line would be the key problem of the twentieth-century and he later identified one of its key dynamics: the new religion of whiteness that was sweeping the world. Whereas most historians have confined their studies of race-relations to a national framework, this book studies the transnational circulation of people and ideas, racial knowledge and technologies that under-pinned the construction of self-styled white men's countries from South Africa, to North America and Australasia. Marilyn Lake and Henry Reynolds show how in the late nineteenth century and early twentieth century these countries worked in solidarity to exclude those they defined as not-white, actions that provoked a long international struggle for racial equality. Their findings make clear the centrality of struggles around mobility and sovereignty to modern formulations of both race and human rights.
 

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26 psl. - The United States of America and the Emperor of China cordially recognize the inherent and inalienable right of man to change his home and allegiance, and also the mutual advantage of the free migration and emigration of their citizens and subjects respectively from the one country to the other for purposes of curiosity, of trade, or as permanent residents.

Apie autorių (2008)

Marilyn Lake is Professor at the School of Historical and European Studies, La Trobe University, Melbourne. Her publications include Creating a Nation (with Patricia Grimshaw, Ann McGrath and Marian Quartly, 1994), Getting Equal: The History of Feminism in Australia (1999) and, as editor, Women's Rights and Human Rights: International Historical Perspectives (with Patricia Grimshaw and Katie Holmes, 2001).

Henry Reynolds is personal chair in History and Aboriginal Studies at the University of Tasmania. His previous publications include The Other Side of the Frontier (1981), Why Weren't We Told? (2000) and The Law of the Land (2003).

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