Brinton hurried up to the porch. "The plumbing must have burst somewhere," she explained. "Listen! I can hear water dropping from the ceiling."

He struck a match, went into the front room, and lighted a lamp. The ceiling of the room was soaked, and a little stream of water trickled down. Carrying the lamp, and followed by Mrs. Powell, he went into the dining-room. Water was dripping down.

"It must be up-stairs in the bath-room," said Mrs. Powell. "Hurry!"

He waited for another glance around, and then, with great deliberation, ascended the stairs. Mrs. Powell rushed past him on the landing, and into the bath-room. He entered in time to see her draw away a dripping towel that had obstructed the escape-pipe of the basin, into which both faucets were pouring steady streams.

He waited, the lamp in his hand showing his face lined with a sort of grim amusement, while she turned off the taps.

"I guess I'm responsible for this," she announced cheerfully, preceding him down. the stairs. "I tried to get a little washwater when I was up here; it would n't run very well, and I must have left the taps open. I'd feel more contrite if your old house did n't need replastering, repapering, and almost everything else."

He paused at the foot of the stairs, opened the door of his bedroom, and looked in.

"Left that dry, anyway," he announced. "John Brinton, you 're not thinking of staying in this house to-night!" It was not a protest; it was a command. "You can go to a hotel or you can come out to Cherry Avenue. I have a housekeeper and a cook and a daughter, and it will be perfectly proper. Why, I would n't think of letting you stay here; you 'd get your death of pneumonia."

"Well, my will leaves everything to Charley," he said, and he glanced up at her in the act of blowing out the lamp. For the second time he had the satisfac

tion of seeing that he had repaid in kind one of the shocks she had given him. A ghost of a grim smile played across his face. "Better go to the outside door," he said; "I'm going to douse the glim."

His sudden flash of humor seemed to shock Mrs. Powell as much as his grim joke. She waited, staring at him.

"How long was it before that water would n't run?" he demanded, hovering over the lamp. "I heard you turn it on; it appeared to start about as brisk as ever." He chuckled wickedly. "Was n't Mrs. Mallet enough? Did you have to drown me out?" he demanded.

Mrs. Powell's amazement was gradually softened by half a smile. She looked him in the eyes with calm audacity.

"Well, suppose I did?" Her audacity seemed to need the prop of brave words; she colored a little. "Suppose I took that way as a short cut to develop some human emotions in you? Life 's short, and you've been growing into a machine."

Brinton eyed her, silently, abstractedly. She became pinker and more uneasy.

"Perhaps you think I'm after your money," she demanded, with a sudden flash of resentment.

"If you mean to say you 're not," said Brinton, "you 've got a lot less common sense than I've credited you with."

Mrs. Powell gasped.
"Well, of all the-"

"Money is a good thing to have around," said Brinton; "I'm just getting on to that fact. Only-well, I hope that 's not the only reason you took such an int'rest in me; I ain't so powerful humble." His wry, ironical smile helped a softening process that had begun to work on his face. "Anyway, as I remarked before, I think you 'd be a mighty good investment," he declared.

"John Brinton, you 're-you 're-" exploded Mrs. Powell in a voice that began in a gasp and ended in short laughter. "What?" he asked.

"A wonder!"

He chuckled again, neatly blew out the lamp, and followed her toward the door.

"If I am, I 've got nothing on you, if you'll excuse me for saying it." Gallantly he took her hand to assist her down the steps. "Mrs. Powell, ma'am, I believe you have the advantage of me in knowing my first name."

THE

S. WEIR MITCHELL

HE life literary has no relation more intimate, more fruitful, or more precious than that between a magazine and its contributors of long standing and reciprocal loyalty. The magazine makes the contributors, and the contributors make the magazine, one as much as the other. Those whose imaginings see in a magazine a fortress besieged, which the contributor enters by force or favor, by assault or by parley, wholly mistake the natural selection by which a magazine gathers its most valid asset-the group of writers attracted by its policy, whose presence attests the value and settles the success of the policy that has won them. Without the policy, these would not come; without these, the policy would not go. Both, not each, make the magazine.

Dr. S. Weir Mitchell, whose death removes a landmark on the horizon in medicine, in letters, and in the administration of the things that collectively make and guide the national mind, came to THE CENTURY in the mid-eighties, precisely as he came to "The Atlantic" in the early sixties. He wanted the magazine, and the magazine wanted him. A natural personal sympathy, ennobling in both and to both, united Richard Watson Gilder and S. Weir Mitchell. Both had the same passionate devotion to verse for its own sake. The measure and rhythm and harmony and technic played the same part in their lives that music has for many, though for neither did it exclude the more impersonal wordless art. Both had the respect for literature which the type-writer and cheap printing tend to destroy by making it easier to write and to publish and harder to read and to remember. There are some prints, early in the history of printing, in which proof-reader and printer wear swords because it was assumed that every one in the "chapel" was

a gentleman. A blameless sword in letters both these gentlemen carried, wide apart as they were in their life-work.

But they met in believing that wisdom. was the elder child of inspiration, that life was ill led if it was not seemly as well as round in all its parts, and that a nice regard for detail is the parent of a just dignity in letters. These are all the signs manual of the reserves of power. With a practical wrist, the rapier has a "punch" more deadly than a prize-fighter's fist. Dr. Mitchell, when "Characteristics" appeared in 1891, his first contribution to THE CENTURY, was already known. In medicine he had met the hurry and pressure that slay nerves with healing rest. He had probed the hidden secret of snake venoms. He had already displayed his various and efficient power in the organization and direction of institutions and societies, in science and in medicine. In letters, though in his mid-fifties, he had done little, and that little was promise rather than achievement. His short stories had caught the eye only of the selective critic, quick to see tendency. His handful of poems gave no hint of the work he was to do in the last twenty years of a life that has just ended at eighty-three. His two novels, "In War Time" and "Roland Blake," had perception, penetration, and the picture, but lacked weight. "Characteristics" had this. It was wise. Head-thought is as much needed in letters as heart-throb, Athena as much as Apollo. As "Characteristics" developed number by number, swarms of letters came both to author and magazine. Western debating societies discussed the issues it raised. Women's clubs wrote essays about it. Mature professional men East and West wrote long, full letters, particularly from those lesser places where the intellectual and brooding life so often, though not always, has time, but not companionship, as in the larger it has companionship, but

not time. It was both instantly and constantly apparent that THE CENTURY audience, so wide-spread, always growing, always changing, and yet always preserving a common character, had found in Dr. Mitchell the seer to whom it cared to listen.

For just short of thirty years since, the work of Dr. Mitchell has appeared in THE CENTURY. Here the "Lycian Tomb," child of solitude and of sorrow, so easily the foremost fruit of his verse, one of the greater threnodies, had its fitting illustration. The "Magnolia" deepened the note of thought. On the eve of the Spanish-American War, "Hugh Wynne" gave the patriotism of youth its high and heroic model. No novel of the Revolutionary period approached it. Story succeeded story; and poem, poem. Pastels came from his facile hand which had a stinging quality. On the threshold of On the threshold of his eightieth year he surprised no one more than the editor of THE CENTURY by breaking out in a detective story.

The readers of THE CENTURY need no catalogue. A man's position in letters is not to be decided while the rounded mound above him is still unsodded. At this hour there comes instead the memory of the man, inspiring, benignant, highminded, tender-hearted, leading day by day a life devoted to the nobler aspect of every task. The years take toll from some. They enriched him. He grew from sixty to eighty, sloping years for most; rising years for him. His writing grew more careful. He became more fastidious in his choice of words, more painstaking in his sentences, more anxious to put substance behind utterance. Repute, honor, wide acceptance, which make many careless, weighted him with responsibility.

One saw that he followed THE CENTURY closely, knew it number by number, weighed and appraised each issue as it came, saw it as a whole, was watchful of its level, place, attraction, and value, in this steadily moving procession. He came to know magazine conditions, to feel the audience, to know its reaction.

Of this manifold man much else could be said in many fields. From all he brought fruit. In each he stood in its foremost files. Universities knew him in letters and in science alike. His profession had given him every possible honor. He was a national figure. But on these pages this is not the image that falls now that he is gone. There is instead the vision -alas! only a vision!-of a spare figure which fourscore years could only stoop and not bow; a manner gracious, gentle, and never forgetful of life's daily due of courtesy and the comrade spirit; a mobile face whose modeling bespoke his mingled Scotch and American ancestry, with the thin beard of the man who both thinks and does,-your thick, short-bearded man does, and does not think, and your thick, long-bearded man thinks, and does not do, -and an expression which had charm, inspiration, command, and the cogent influence of personality as elemental as gravitation. No man and no woman met him but saw life brighter and gained in inspiration and enthusiasm, in desire to achieve, in willingness to serve, and in high determination that no day and no task should come back empty or lack lofty effort, be the day or task what it might. All his were noble, ennobling, and included a vision and horizon wider than earth's round, as the pages he contributed to THE CENTURY bear witness.

I

HAVE lately been much struck by the many excellent little anecdotes of celebrated people that have appeared in recent memoirs and found their way thence into the columns of the daily press. There is something about them so deliciously pointed, their humor is so exquisite, that I think we ought to have more of them. Το this end I am trying to circulate on my own accounta few anecdotes which somehow seem to have been overlooked. Here, for example, is

an excellent thing from the vivacious memoirs of Lady Ranelagh de Chit Chat.

STORY OF THE DUKE OF STRATHYTHAN

LADY RANELAGH writes: "The Duke of Strathythan (I am writing of course of the seventeenth duke, not of hispresent Grace) was, as everybody knows, famous for his hospitality. It was not perhaps generally known that the duke was as witty as he was hospitable. I recall a most amusing incident that hap

pened the last time but two that I was staying at Strathythan Towers. As we sat down to lunch (we were a very small and intimate party, there being only forty-three of us), the duke, who was at the head of the table, looked up from the roast of beef that he was carving, and, running his eye about the guests, murmured, 'I 'm afraid there is n't enough beef to go round.'

"There was nothing to do, of course, but to roar with laughter, and the incident passed off with perfect savoirfaire."

HERE is another story that I think has not had all the publicity that it

ought to have, I found it in the book "Shot, Shell, and Shrapnel; or, Sixty Years as a War Correspondent," recently written by Mr. Maxim Gatling, whose exploits are familiar to all readers.

ANECDOTE OF LORD KIT

CHENER

"Kitchener, who habitually uses an eyeglass (among his friends), watched the bullets go singing by, and then, with that inimitable sang-froid which he reserves for his intimates, said:

"'I'm afraid, if we stay here, we may get hit.' We moved away laughing heartily. "Lord Roberts's aide-de-camp was shot in the pit of the stomach as we went."

THE next anecdote that I reproduce

"I WAS standing," writes Mr. Gatling, "immediately between Lord Kitchener and Lord Wolseley, with Lord Roberts a little to the rear of us, and we were laughing and chatting as we always did when the enemy were about to open fire on us. Suddenly we found ourselves the object of the most terrific hail of bullets. For a few moments the air was black with them. As they went past, I could not refrain from exchanging a quiet smile with Lord Kitchener and another with Lord Wolseley. Indeed, I have never, except perhaps on twenty or thirty occasions, found myself exposed to such an awful fusillade.

may be already too well known to my readers. The career of Baron Snorch filled so large a page in the history of European diplomacy that the publication of his recent memoirs

was awaited with profound interest by half the chancelleries of Europe. Even the other half were half excited over them. The tangled skein in which the politics of Europe

Even at the risk of repeating what is already familiar, I offer the following for what it is worth, or even less.

NEW LIGHT ON THE LIFE OF CAVOUR

"I HAVE always regarded Count Cavour," writes the baron, "as one of the most impenetrable diplomatists it has been my lot to meet. I distinctly recall an incident in connection with the famous Congress of Paris of 1856 that rises before my mind as vividly as if it were yesterday. I was seated in one of the large salons of the Elysée Palace (I often used to sit there) playing vingt-et-un with Count Cavour,