The Dramatic Censor: Or, Critical Companion ...J. Bell, 1770 - 80 psl. |
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... tion . 66 In refpect of Macbeth's fcene with the mur- derers , I apprehend he uses too much circumlocu- tion , especially as , we perceive , by what he says at their entrance , that thofe ruffians have been made acquainted with a main ...
... tion . 66 In refpect of Macbeth's fcene with the mur- derers , I apprehend he uses too much circumlocu- tion , especially as , we perceive , by what he says at their entrance , that thofe ruffians have been made acquainted with a main ...
107 psl.
... tion to work upon , as ever fancy formed , and too difgraceful for nature to admit amongst her works . However confidered in the view of theatrical action , there is not one perfonage to be found in our English drama , which more ...
... tion to work upon , as ever fancy formed , and too difgraceful for nature to admit amongst her works . However confidered in the view of theatrical action , there is not one perfonage to be found in our English drama , which more ...
133 psl.
... tion , we find Brabantio in his reply poffeffed with the true old womanish , credulous obftinacy ; ftiek- ing close to conjuration , which indeed the duke very properly reproves . Othello's narration , though literally fine , fub- jects ...
... tion , we find Brabantio in his reply poffeffed with the true old womanish , credulous obftinacy ; ftiek- ing close to conjuration , which indeed the duke very properly reproves . Othello's narration , though literally fine , fub- jects ...
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againſt agreeable alfo alſo appears audience Beggar's Opera Cato cauſe cenfure character circumftance confequence confiderable converfation Cymon Cyrus deferves defign defire expreffed expreffion Fair Penitent fatire favour fays fcene fecond feelings feems feen fenfe fenfible fentiments feveral fhall fhews fhort fhould firft firſt fituation foliloquy fome fong fpeaks fpeech fpirit ftands ftate ftile ftriking ftrong fuch fuitable fuppofe fupported furniſhed gives happily Harpagus herſelf himſelf houſe humour huſband inftructive Jaffier juft juftice Juliet juſt King King Lear lady laft lefs Linco Macbeth Mandane mention Merchant of Venice merit Mifs moft moſt muft muſt nature obfervation occafions Othello paffages paffion perfon piece pleafing pleaſe pleaſure poffeffed praiſe prefent promifes purpoſe racter raiſe reaſon refolution refpect repreſentation Rofalind Romeo Romeo and Juliet ſcene ſeems ſhall ſhe ſpeak ſtage ſtate ſuch Syphax Teribazus theſe third act thofe thoſe tion uſeful Venice Preferved whofe wiſh Zenobia