Elements of Interior Design and DecorationLippincott, 1957 - 829 psl. |
Knygos viduje
Rezultatai 1–3 iš 90
10 psl.
... structural forms finally reach their pinnacle of perfection , and novelty can only be introduced by increasing the surface enrichment or by using structural forms for ornamental purposes . This is the beginning of the decline of the ...
... structural forms finally reach their pinnacle of perfection , and novelty can only be introduced by increasing the surface enrichment or by using structural forms for ornamental purposes . This is the beginning of the decline of the ...
88 psl.
... structural problems in order to maintain stability . The Gothic designers , however , continually under the urge of the great spiritual movement , hesitated at nothing . Gothic ecclesiastical architecture was structurally similar to the ...
... structural problems in order to maintain stability . The Gothic designers , however , continually under the urge of the great spiritual movement , hesitated at nothing . Gothic ecclesiastical architecture was structurally similar to the ...
386 psl.
... structural forms and the rising interest in the new structural principles and materials undoubtedly played a part . The art nouveau was an artificial attempt to create a novelty and did not have a sufficiently logical basis for its ...
... structural forms and the rising interest in the new structural principles and materials undoubtedly played a part . The art nouveau was an artificial attempt to create a novelty and did not have a sufficiently logical basis for its ...
Turinys
Introduction | 3 |
The Styles of Antiquity | 17 |
The Styles of the Middle Ages | 69 |
Autorių teisės | |
Nerodoma skirsnių: 24
Pagrindiniai terminai ir frazės
18th century American antique arch architect architecture artists Baroque beauty became cabinetmakers cabinets cabriole leg carved ceiling chair character Chinese chintz Chippendale classical classical architectural Colonial color column cornice cotton Courtesy Metropolitan Museum covered curved decoration detail developed doors draperies early effect England English enriched entablature Europe fabric fibers finish floor forms frame France French furniture glass Gothic Greek imitate important inches influence interior Italian Italy known legs light linenfold lines Louis XV mantel marble marquetry materials metal modern moldings motifs Museum of Art original ormolu ornament painted painter panels patterns period pieces pigments placed plain plain weave plaster porcelain pottery produced Renaissance Rococo Roman rugs sculpture shape showing silk Spain Spanish stone structural style surface tapestries textiles threads tion tonal value trim upholstery usually valance wall wallpaper ware warp weave weft window wood wooden woodwork wool woven York