UtamaroParkstone International, 2012-05-08 - 256 psl. If sensuality had a name, it would be without doubt Utamaro. Delicately underlining the Garden of Pleasures that once constituted Edo, Utamaro, by the richness of his fabrics, the swan-like necks of the women, the mysterious looks, evokes in a few lines the sensual pleasure of the Orient. If some scenes discreetly betray lovers’ games, a great number of his shungas recall that love in Japan is first and foremost erotic. |
Pagrindiniai terminai ir frazės
album Art Institute artist Arts asiatiques background bamboo beautiful Bibliothèque nationale bijin boat British Museum centre sheet century charming cherry blossoms Chiba Chiba City child colour prints composition courtesan d’histoire de l’art Daimyo dance decorated depicted dresses Edmond de Goncourt Ehon face famous flowers Forty-seven Ronin geisha girl Green Houses Guimet gyoji hand Illustrated kyoka images Institut national d’histoire Institute of Chicago Japan Japanese Jippensha Ikku kakemono kamuro Kano Masanobu Kintaro lacquered leaning left sheet Musée national Museum of Art Myriad Birds national des Arts nationale de France nishiki-e Niwaka Oban triptych ofthe Oiran painter painting panel paper Paris Picture Book poem portrait prostitution published without date right sheet Santo Kyoden scene school of Kano school of Tosa series of prints shamisen shows small book Sumida River surimonos taikomochi three volumes Toriyama Sekien Toyokuni twelve prints Ukiyo-e unspecified number Utamaro violet women Year’s Day yellow Yoshiwara