Sound Advice: Becoming a Better Children's Choir ConductorOxford University Press, 2003-03-06 - 288 psl. Sound Advice is a valuable resource for college students, beginning teachers, and experienced conductors of children's choirs. It covers the vast array of skills needed by today's conductor and will benefit all choir directors who want their choirs to reach a higher level of artistry. This book will be useful on many levels: for the college student studying the child voice and elementary teaching methods; for the teacher beginning to direct choirs in schools, synagogues, churches and communities; for experienced children's choir directors who wish to know more about orchestral repertoire for treble voices, conducting an orchestra, and preparing a children's choir to sing a major work with a professional orchestra. The underlying educational philosophy is sound; the author sees development of musicianship through singing as the primary goal of a children's choir program. This philosophy differs dramatically from the traditional concept of the conductor as all-knowing and the singers as receptacles. An outstanding aspect of the book is how the author leads the reader to an understanding of how to teach musicianship. Developing literacy in the choral setting is a mysterious, amorphous process to many conductors, but the author clearly outlines this important process with practical suggestions, well-documented examples, and a clear reading style which will reach readers on many levels. The comprehensive repertoire, skill-building sheets, and programs for all types of children's choirs will provide teachers with immediate and highly valuable resources. |
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5 psl.
... pitch. Boys have not yet developed any resistance to singing. All are eager to learn. If the children experience great joy and satisfaction in their singing in first grade, they are often hooked for life. Having taught music to first ...
... pitch. Boys have not yet developed any resistance to singing. All are eager to learn. If the children experience great joy and satisfaction in their singing in first grade, they are often hooked for life. Having taught music to first ...
6 psl.
... pitch but also can sing with a beautiful head-tone quality. The Prepared Environment Masterful teaching requires detailed preparation and organization. In this preparation, potential problems must be anticipated and prevented. Having ...
... pitch but also can sing with a beautiful head-tone quality. The Prepared Environment Masterful teaching requires detailed preparation and organization. In this preparation, potential problems must be anticipated and prevented. Having ...
7 psl.
... pitch, should be visible on walls or cupboards. Having a soft and slow recording of a piece such as the slow ... Pitch In my experience, in September in a new class of thirty first graders, five would be able to match pitch and twenty ...
... pitch, should be visible on walls or cupboards. Having a soft and slow recording of a piece such as the slow ... Pitch In my experience, in September in a new class of thirty first graders, five would be able to match pitch and twenty ...
8 psl.
... pitch that slides from a fourth-line D down a fifth. Simple words and phrases such as Wow! and Oh no! can easily be taken from the speaking voice to the singing voice. The circle game is an excellent way for six- and seven-year-old ...
... pitch that slides from a fourth-line D down a fifth. Simple words and phrases such as Wow! and Oh no! can easily be taken from the speaking voice to the singing voice. The circle game is an excellent way for six- and seven-year-old ...
9 psl.
... pitch. Choosing Appropriate Song Material The selection of song material, the key of the song, and the voice the children hear singing it are probably the most important factors in developing the child's singing voice. The keys of D, E ...
... pitch. Choosing Appropriate Song Material The selection of song material, the key of the song, and the voice the children hear singing it are probably the most important factors in developing the child's singing voice. The keys of D, E ...
Turinys
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5 | |
15 | |
Checklist for Ideal Rehearsals and Preparation for Complete Artistic Performances | 33 |
Developing Literacy | 46 |
Discipline | 59 |
The Importance of Organization | 66 |
The Audition Process Know Your Children Your Parents and Your Community | 76 |
Criteria for Choosing Repertoire Appropriate for Children | 182 |
Repertoire Lists for Toronto Childrens Chorus | 188 |
Concepts to Be Learned by the End of Training Choir I Training Choir II and Training Choir III | 202 |
Memos for the the First Four Rehearsals | 204 |
SightSinging Curriculum Outline for the Toronto Childrens Chorus | 225 |
Rounds All Children Should Know | 229 |
Treble Choir Repertoire with Orchestral Accompaniment | 233 |
Repertoire Recommended List | 242 |
Things They Didnt Teach You at Music School | 86 |
Conducting an Orchestra | 97 |
Preparing the Children to Sing a Major Work with Orchestra | 105 |
Recording Commissioning and Touring | 132 |
From the Children | 145 |
Warmup Vocal Exercises | 151 |
Audition Form | 159 |
Sample Programs from Toronto Childrens Chorus | 162 |
Toronto Childrens Chorus Compact Discs | 249 |
The Seating Plan | 255 |
Examples of FourMeasure SightReading Passages | 257 |
Transposing and Nontransposing Instruments | 259 |
BIBLOGRAPHY | 261 |
INDEX | 265 |
Kiti leidimai - Peržiūrėti viską
Sound Advice Becoming a Better Children's Choir Conductor Jean Ashworth Bartle Ribota peržiūra - 2003 |
Sound Advice Becoming a Better Children's Choir Conductor Jean Ashworth Bartle Ribota peržiūra - 2003 |
Sound Advice Becoming A Better Children's Choir Conductor Jean Ashworth Bartle Peržiūra negalima - 2012 |
Pagrindiniai terminai ir frazės
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