AUTHOR. LANG, ANDREW TITLE. SOURCE. PAGE 'To M. Boulmier' Ballades in Blue China 254 "Love in Idleness" "To the Nightingale' MONKHOUSE, COSMO Peck, S. M. 'Hetty' "The Air is White' 'Bonnie Belle' 'If some true Maiden's' 255 250 'Life' Verses of a Prose-Writer 257 New Poems 258 Cap and Bells 259 260 When the brow of June' Sonnets v. Songs 261 'O Summer-time' 'In every Sound' "The Daffodils' Ballad of the Road 264 'To Helen' With Reed and Lyre 265 'To the Daffodil' 266 "Spring knocks Pictures in Song 267 'Dot' 'Across the World ** 268 270 Where are the Springs' The Manhattan 271 TOMSON, GRAHAM R. WADDINGTON, S. To Hesperus '* 'I did not Dream '* Come, to the Woods' "Theocritus' VIRELAI. 'Ballade of Old Metres' 'Young Poet's Advice' New York Critic 281 Villanelle Walnuts and Wine 293 'Malapropos' The Lute 294 Villon's Straight Tip** 283 'Culture in the Slums' 290 'Ballade of Cricket' Rhymes a la mode 286 MOORE, A. M. Ballade of Ballade-mongers' Hood's Annual 289 The Century 285 287 290 233 294 PREFACE. HIS anthology is chosen entirely from poems written in the traditional fixed forms of TH the ballade, chant royal, kyrielle, rondel, ondeau, rondeau redoublé, sestina, triolet, villanelle, and virelai, with the addition of the pantoum. That such a choice is the result of circumstances it is needless to point out, since only those that had found favour with English writers were available for the purpose. So far as I know, this collection is the first of its sort, although Mr. W. Davenport Adams' Latter Day Lyrics included a section chosen on the same lines. Having, in company, no doubt, with many others, a genuine regard for the group Mr. Adams included there, I had long hoped to see a more ample compilation of later work in this school; but notwithstanding the steady increase in the number of poems written in the forms systematically arranged herein, the ground remained unoccupied, until the appearance of this book; which may fairly claim to be the first in the field, since no other volume has devoted its whole space to them, save in the rarer cases, where an author has published a collection of original poems cast in one mould, notably Mr. Swinburne's Century of Roundels and Mr. Andrew Lang's Ballades in Blue China. In Mr. Adams' volume another valuable feature was the Note on some Foreign forms of Verse by Mr. Austin Dobson, which many years since introduced to me the laws of the various forms and created my special interest in them. It is no derogation to the charming group in the former volume to say of the present collection, that it far exceeds its predecessor in number and variety, for now there is a wide field to choose from, whereas Mr. Adams was then limited to a selection from the small number extant. The rules which Mr. Austin Dobson was the first to formulate in English are made the basis (side by side with the treatises of M. de Gramont, M. de Banville, and other authorities) of the following chapter on the rules of the various forms. Lest a name so intimately associated with the introduction of the old French metrical shapes in English poetry should appear to be brought in to add weight to my own attempt, and the reputation of a master invoked for the work of one who at furthest can but style himself an apprentice, I must ask that this necessary tribute to Mr. Dobson's labours be taken only as an apology for so freely using his material, and that his ready help is by no means to be regarded in the faintest way as an imprimatur of any statements in this prefatory matter, save those quoted avowedly and directly from his writings. It may be best to name at once the authorities who have been consulted in the preparation of the introductory chapter. These include the French treatises of De Banville, De Gramont, and Jullienne, Mr. Saintsbury's Short History of French Literature, Mr. Hueffers' Troubadours, an article by Mr. Gosse in the Cornhill Magazine, July 1877, Les Villanelles by M. Joseph Boulmier, The Rhymester of Mr. Brander Matthews, and many occasional papers on the various forms that have appeared in English and American periodicals. To arrange in one chapter the materials gathered from these and other sources is all that I have attempted. If at times the need to crowd enough matter for a volume into the limits of a few pages results in a want of lucidity, I must plead the necessity imposed by limited space. To those who, by their kindly permission, have allowed their poems to be quoted here, the thanks that I can offer are as hearty as the expression of my gratitude is brief. The somewhat onerous task of obtaining consent from about two hundred authors has been turned to a pleasure, by the evidence of interest taken in this, the first collection of the later growth of this branch of poetic art. Nor did the help cease with the loan of the poems; in many instances a correspondence followed that brought to light fresh material, both for the body of the book and the introductory chapter, and rendered assistance not easy to overvalue. If any writer is quoted without direct permission, it was through no want of effort to trace him, excepting in the case of a very few that reached me in the shape of newspaper cuttings, wholly devoid of any clue to the locality of the writer. To Mr. Austin Dobson my best thanks are due. From Mr. Andrew Lang and Mr. Edmund Gosse I have also appropriated material, acknowledged as often as practicable; also to my friend, Mr. A. G. Wright, for invaluable help during the rather monotonous task of hunting up and copying at the reading-room of the British Museum; and to Mr. William Sharp, whose critical advice and generous encouragement throughout have left a debt of gratitude beyond payment. In a society paper, The London, a brilliant series of these poems appeared during 1877-8. After a selection was made for this volume, it was discovered that they were all by one author, Mr. W. E. Henley, who most generously permitted the |