American Literature and the Destruction of Knowledge: Innovative Writing in the Age of EpistemologyDuke University Press, 1991 - 391 psl. In this challenging work, Ronald E. Martin analyzes the impulse of major nineteenth- and twentieth-century American writers to undermine not only their inherited paradigms of literary and linguistic thought but to question how paradigms themselves are constructed. Through analyses of these writers, as well as contemporaneous scientists, mathematicians, philosophers, and visual artists, American Literature and the Destruction of Knowledge creates a panoramic view of American literature over the past 150 years and shows it to be a crucial part of the great philosophical changes of the period. The works of Melville, Emerson, Whitman, and Dickinson, followed by Crane, Frost, Pound, Stein, Hemingway, Dos Passos, Aiken, Stevens, and Williams, are examined as part of a cultural current that casts doubt on the possibility of knowledge itself. The destruction of concepts, of literary and linguistic forms, was for these writers a precondition for liberating the imagination to gain more access to the self and the real world. As part of the exploration of this cultural context, literary and philosophical realisms are examined together, allowing a comparison of their somewhat different objectives, as well as their common epistemological predicament. |
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viii psl.
... Without Thought 270 14 John Dos Passos : Actuality Montage ( the Real Event and the Speech of the People ) 311 Notes 353 Bibliography 372 Index 383 Acknowledgments For the considerable encouragement , understanding , and help viii Contents.
... Without Thought 270 14 John Dos Passos : Actuality Montage ( the Real Event and the Speech of the People ) 311 Notes 353 Bibliography 372 Index 383 Acknowledgments For the considerable encouragement , understanding , and help viii Contents.
ix psl.
... understanding , and help they of- fered over the long haul of this project , I thank my most recent succession of department chairmen , Zack Bowen , Jerry Beasley , and Carl Dawson . Thanks , too , to Maria Frawley , who as a graduate ...
... understanding , and help they of- fered over the long haul of this project , I thank my most recent succession of department chairmen , Zack Bowen , Jerry Beasley , and Carl Dawson . Thanks , too , to Maria Frawley , who as a graduate ...
xi psl.
... understanding of experiential real- ity were the culture's certified knowledge and the habits and techniques by which that knowledge was customarily produced . The destruction of concepts and patterns , of literary and linguistic forms ...
... understanding of experiential real- ity were the culture's certified knowledge and the habits and techniques by which that knowledge was customarily produced . The destruction of concepts and patterns , of literary and linguistic forms ...
xii psl.
... understanding manifested by individual knowledge destroyers ; and it is about the particular innova- tions in literary form and technique that were the correlatives of their knowledge destroying behaviors . These behaviors had ...
... understanding manifested by individual knowledge destroyers ; and it is about the particular innova- tions in literary form and technique that were the correlatives of their knowledge destroying behaviors . These behaviors had ...
xiii psl.
... understanding of these behaviors , yes and the story I mean to tell has as an underlying assumption that deeply inherent in the tradition of American letters there is a fundamental nega- tiveness , a destructiveness toward what is known ...
... understanding of these behaviors , yes and the story I mean to tell has as an underlying assumption that deeply inherent in the tradition of American letters there is a fundamental nega- tiveness , a destructiveness toward what is known ...
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Pagrindiniai terminai ir frazės
abstraction actual American approach artists attempt become beginning century characters concepts connection conventional course critical cultural destroy destruction developed direct early effect elements epistemological especially example existence experience expression eyes fact feeling felt fiction force give human ideas images imagination individual insight interest interpretation involved kind knowing knowledge language later less Letters lines linguistic literary literature living logic look matter meaning mind narrative nature needs never novel object painting particular Passos perception perspective philosophical physical poem poet poetry possibility Pound present Press pure radical realism reality reference reflexiveness relation relativity represent representation seems sense shows significance simple social sort specific stand Stein Stevens suggests symbols techniques theory things thought tion truth understanding universe Whitman whole writers
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Melville's Muse Literary Creation & the Forms of Philosophical Fiction John Paul Wenke Trumpų ištraukų rodinys - 1995 |
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