The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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39 psl.
... whole system of life is contained in mo- tion " ( 1986 , 11 ) . To fall in love is human , as we say , but to love is also to fall into one of the deepest stupors of helplessness the human creature is capable of , or so runs the ...
... whole system of life is contained in mo- tion " ( 1986 , 11 ) . To fall in love is human , as we say , but to love is also to fall into one of the deepest stupors of helplessness the human creature is capable of , or so runs the ...
50 psl.
... whole may be obvious , but it is a first principle in which virtually all the constructional subprinciples of the Poetics are nested . Once you start thinking about what a whole is and how a play achieves wholeness , you have to invoke ...
... whole may be obvious , but it is a first principle in which virtually all the constructional subprinciples of the Poetics are nested . Once you start thinking about what a whole is and how a play achieves wholeness , you have to invoke ...
65 psl.
... whole rests securely on the foundation of the laws of causation which include , incidentally , those of fantasy . The simplest bedtime story observes the principles of causality in its unfolding ( And then ... And so .. , Next ...
... whole rests securely on the foundation of the laws of causation which include , incidentally , those of fantasy . The simplest bedtime story observes the principles of causality in its unfolding ( And then ... And so .. , Next ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write