The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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47 psl.
... tion in trying to tell the story of Hamlet to a circle of elders in the West African bush country . The elders incessantly interrupted her to correct her faulty interpretation of the events of this story they had never before heard . As ...
... tion in trying to tell the story of Hamlet to a circle of elders in the West African bush country . The elders incessantly interrupted her to correct her faulty interpretation of the events of this story they had never before heard . As ...
75 psl.
... tion to the flow of time ; without me , or another like me , the present is an unnecessary category . The present , Merleau - Ponty says , is the passing of time itself , or that which does not pass in time " ( 1978 , 423 ) . That is ...
... tion to the flow of time ; without me , or another like me , the present is an unnecessary category . The present , Merleau - Ponty says , is the passing of time itself , or that which does not pass in time " ( 1978 , 423 ) . That is ...
100 psl.
... tion . The " conversation " in Chekhov , on the other hand , is based on a different principle of mimetic probability . There is a kind of logic in the duet of voices they seem to belong to the same conversation but it cannot be ...
... tion . The " conversation " in Chekhov , on the other hand , is based on a different principle of mimetic probability . There is a kind of logic in the duet of voices they seem to belong to the same conversation but it cannot be ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write