The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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74 psl.
... things past ) , sight ( the present of things present " ) , and expectation ( " the present of things future ) ( 1973 , 193 ) . It should be said that Augustine is describing our consciousness of time , not time itself in some ...
... things past ) , sight ( the present of things present " ) , and expectation ( " the present of things future ) ( 1973 , 193 ) . It should be said that Augustine is describing our consciousness of time , not time itself in some ...
84 psl.
... things present ( in the sense of in - between - ness or indetermination in things ) ; and the ending the present of things future ( as they will be ) . In any case , early on in a play we are drawn into the felt orders of wholeness ...
... things present ( in the sense of in - between - ness or indetermination in things ) ; and the ending the present of things future ( as they will be ) . In any case , early on in a play we are drawn into the felt orders of wholeness ...
88 psl.
... things were compared without a like or an as ; then it was seen as a tension in language ( simile itself became a form of metaphor ) ; then as an indirect speech act ; then a means of discovering nonconceptual meaning ; and ...
... things were compared without a like or an as ; then it was seen as a tension in language ( simile itself became a form of metaphor ) ; then as an indirect speech act ; then a means of discovering nonconceptual meaning ; and ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write