The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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36 psl.
... speech is dramatic or stageworthy from the content of the speech alone . On the stage , speech is always indentured to " a greater semiological system " ( Barthes 1972b , 116 ) , that of mimesis itself . And one of the charac- teristics ...
... speech is dramatic or stageworthy from the content of the speech alone . On the stage , speech is always indentured to " a greater semiological system " ( Barthes 1972b , 116 ) , that of mimesis itself . And one of the charac- teristics ...
38 psl.
... speech here as a vehicle for demonstrating a mind being led down the path of desire . It is precisely sufficient to express the change taking place in Benedick's affections . And there isn't an instant in which the actor is either idle ...
... speech here as a vehicle for demonstrating a mind being led down the path of desire . It is precisely sufficient to express the change taking place in Benedick's affections . And there isn't an instant in which the actor is either idle ...
39 psl.
... speech is exactly what Samuel Johnson meant in saying that Shakespeare's people " act and speak by the influence of ... speech the actor's " whole system of life is con- tained in motion . To sum up : dramatic speech is thin and ...
... speech is exactly what Samuel Johnson meant in saying that Shakespeare's people " act and speak by the influence of ... speech the actor's " whole system of life is con- tained in motion . To sum up : dramatic speech is thin and ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write