The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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21 psl.
... simply not a volitional matter . The question then arises , Is it pleasurable and instructive to dream ? We have debated this question at least since Freud , and we are still offering different kinds of answers . Certainly in the dream ...
... simply not a volitional matter . The question then arises , Is it pleasurable and instructive to dream ? We have debated this question at least since Freud , and we are still offering different kinds of answers . Certainly in the dream ...
36 psl.
... simply any language used by the actor but language that " uses " the actor in speaking it . That is , dramatic speech is not there for its own purpose or end but to actualize the poten- tialities of the performer . The actor may be ...
... simply any language used by the actor but language that " uses " the actor in speaking it . That is , dramatic speech is not there for its own purpose or end but to actualize the poten- tialities of the performer . The actor may be ...
92 psl.
... simply learns who he is " ( Aristotle 1981 , 171 ) . I am moved to respond , like the Greek chorus , by saying that both sides have spoken well , they simply misunderstand each other . Hardison is trying to determine exactly what ...
... simply learns who he is " ( Aristotle 1981 , 171 ) . I am moved to respond , like the Greek chorus , by saying that both sides have spoken well , they simply misunderstand each other . Hardison is trying to determine exactly what ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write