The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Rezultatai 13 iš 80
81 psl.
... seem , we have a true ( or full ) catharsis in certain works of Ae- schylus , Sophocles , and Shakespeare ( otherwise ... seems to be important is that we have a word to indicate any powerful feeling we experience at the end of a ...
... seem , we have a true ( or full ) catharsis in certain works of Ae- schylus , Sophocles , and Shakespeare ( otherwise ... seems to be important is that we have a word to indicate any powerful feeling we experience at the end of a ...
139 psl.
... seems it so particular with thee ? " Seems , madam ? Nay , it is . I know not ' seems ' . ' Tis not alone my inky cloak , good mother , The Pleasure of the Play Nor customary suits of solemn 139.
... seems it so particular with thee ? " Seems , madam ? Nay , it is . I know not ' seems ' . ' Tis not alone my inky cloak , good mother , The Pleasure of the Play Nor customary suits of solemn 139.
190 psl.
... seem to place Chekhov securely in the category of the satanic ( Shestov 1966 , 23 ) . cerer . As for Ibsen , he is the only one of the three who seems comfortable in the Aristotelian tragic form . But it is possible to argue that ...
... seem to place Chekhov securely in the category of the satanic ( Shestov 1966 , 23 ) . cerer . As for Ibsen , he is the only one of the three who seems comfortable in the Aristotelian tragic form . But it is possible to argue that ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write