The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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83 psl.
... produces . All plays , it seems to me , produce something like a catharsis ( a particular emotion ) , and I see no real way in which the cathartic charge , however narrow or generalized it may become , can be separated from the ...
... produces . All plays , it seems to me , produce something like a catharsis ( a particular emotion ) , and I see no real way in which the cathartic charge , however narrow or generalized it may become , can be separated from the ...
95 psl.
... produces a cathartic effect for exactly the reason Frye suggests : the characters on stage have either missed the ... produce an overwhelming cathartic experi- ence.2 I suggest that this affect belongs in the category of recognition ...
... produces a cathartic effect for exactly the reason Frye suggests : the characters on stage have either missed the ... produce an overwhelming cathartic experi- ence.2 I suggest that this affect belongs in the category of recognition ...
194 psl.
... produce energetic variations . And where art departs from biology is in the persistent social 5 I trust I am avoiding the application of the evolutionary metaphor in the senses discussed by René Wellek and Austin Warren in their ...
... produce energetic variations . And where art departs from biology is in the persistent social 5 I trust I am avoiding the application of the evolutionary metaphor in the senses discussed by René Wellek and Austin Warren in their ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write