The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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2 psl.
... problem and what an advanced problem . As far as I can see , what Bentley calls a " cruder component ( plot ) , I am calling an elementary principle . If plot , for example , is a crude component , it would seem to be so only because ...
... problem and what an advanced problem . As far as I can see , what Bentley calls a " cruder component ( plot ) , I am calling an elementary principle . If plot , for example , is a crude component , it would seem to be so only because ...
23 psl.
... problem . But there would be no art either . So perhaps the art is a compensation of sorts in that it splits the ... problem is the same problem and that scientists probably don't become scientists , or artists artists , to ...
... problem . But there would be no art either . So perhaps the art is a compensation of sorts in that it splits the ... problem is the same problem and that scientists probably don't become scientists , or artists artists , to ...
212 psl.
... problem , as best it can , or stops the wound , as Hamm does with his stauncher.5 If I may allude once more to that ... problem by surrounding the grain with nacreous material that forms a pearl a thing of beauty to us , but a ...
... problem , as best it can , or stops the wound , as Hamm does with his stauncher.5 If I may allude once more to that ... problem by surrounding the grain with nacreous material that forms a pearl a thing of beauty to us , but a ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write