The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 13 iš 36
126 psl.
... moral aspect of the deed is ambiguous , to say the least ; in Macbeth , there is no moral ambiguity at all . Indeed , Macbeth's deed does not occur until some time after the notion of murder has been put in his head . Students often ...
... moral aspect of the deed is ambiguous , to say the least ; in Macbeth , there is no moral ambiguity at all . Indeed , Macbeth's deed does not occur until some time after the notion of murder has been put in his head . Students often ...
145 psl.
... moral nature , his entire relation to the sphere of value ( what is good , what is bad , what is prized , and what is valueless ) would be intensified . For every situation he faces in this new world requires that his essential moral ...
... moral nature , his entire relation to the sphere of value ( what is good , what is bad , what is prized , and what is valueless ) would be intensified . For every situation he faces in this new world requires that his essential moral ...
147 psl.
... moral code to personal manner , or ( in Horatian terms ) from the useful ( utile ) to the delightful ( dulce ) . What plays allow us to see , then , is an intensification of the inside and outside of the human being , our moral and ...
... moral code to personal manner , or ( in Horatian terms ) from the useful ( utile ) to the delightful ( dulce ) . What plays allow us to see , then , is an intensification of the inside and outside of the human being , our moral and ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write