The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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23 psl.
... mimesis very different from that of Michael Taussig , but in his book Mimesis and Alterity he puts very well the issue I have been examin- ing from a quasi - biological standpoint . In a sentence reminiscent of Sir Philip Sidney , he ...
... mimesis very different from that of Michael Taussig , but in his book Mimesis and Alterity he puts very well the issue I have been examin- ing from a quasi - biological standpoint . In a sentence reminiscent of Sir Philip Sidney , he ...
52 psl.
... mimesis is the act that brings the principle of wholeness into finite form . Wholeness , then , is an impres- sion formed by the skillful conduct of the mimesis . On the other hand , can we not say that mimesis is a characteristic , or ...
... mimesis is the act that brings the principle of wholeness into finite form . Wholeness , then , is an impres- sion formed by the skillful conduct of the mimesis . On the other hand , can we not say that mimesis is a characteristic , or ...
102 psl.
... mimetic theorists have always been deluded into thinking art is imitating reality in the sense of copying something one can find in the empirical world . The truth is , mimesis has never had much to do with reality , except in the ...
... mimetic theorists have always been deluded into thinking art is imitating reality in the sense of copying something one can find in the empirical world . The truth is , mimesis has never had much to do with reality , except in the ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write