The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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96 psl.
... least implicitly ) who doesn't , or wouldn't , get it . In ironic drama there is , so to speak , some- thing to recognize , and in Chekhov this something is exactly the charac- ters ' nonrecognition - or at least the gulf between the ...
... least implicitly ) who doesn't , or wouldn't , get it . In ironic drama there is , so to speak , some- thing to recognize , and in Chekhov this something is exactly the charac- ters ' nonrecognition - or at least the gulf between the ...
104 psl.
... least it behaves like a peripety , because it is one of those lurches that produces " the opposite of the expected at least until the audience gets used to it . But by that time the play is off and running with more complex ...
... least it behaves like a peripety , because it is one of those lurches that produces " the opposite of the expected at least until the audience gets used to it . But by that time the play is off and running with more complex ...
109 psl.
... least most of ) the characters of The Three Sisters might be symbolized in one of Vershinin's speeches or in Olga's And I so longed to go home again ! " To see the inversion , one has only to substitute the word " peace " for " war ...
... least most of ) the characters of The Three Sisters might be symbolized in one of Vershinin's speeches or in Olga's And I so longed to go home again ! " To see the inversion , one has only to substitute the word " peace " for " war ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write