The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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15 psl.
... imagine our anglerfish one day discovering its filament for the first time , like a child discovering its toes , and becoming simply enthralled by the beauty of all the variable configurations and symmetries that are possible with this ...
... imagine our anglerfish one day discovering its filament for the first time , like a child discovering its toes , and becoming simply enthralled by the beauty of all the variable configurations and symmetries that are possible with this ...
135 psl.
... imagine any stage setting as having an imaginary window through which you can gaze at the world beyond . Some settings do have windows , of course , but the window I have in mind is like the two windows in Beckett's Endgame : you can't ...
... imagine any stage setting as having an imaginary window through which you can gaze at the world beyond . Some settings do have windows , of course , but the window I have in mind is like the two windows in Beckett's Endgame : you can't ...
212 psl.
... imagine that it hovered in the vicinity of the catastrophic last scene of Shakespeare's play . Further , imagine that during the agony of Lear portrayed so mov- ingly by the actor during , say , the incomparable line , Thou❜lt come ...
... imagine that it hovered in the vicinity of the catastrophic last scene of Shakespeare's play . Further , imagine that during the agony of Lear portrayed so mov- ingly by the actor during , say , the incomparable line , Thou❜lt come ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write