The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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14 psl.
... human- ized a fish , it is really my intention to see something fishy in theater something natural , or naturally selected , that we do , as a species , for absolutely necessary purposes . Why should we leave biology out of ac- count ...
... human- ized a fish , it is really my intention to see something fishy in theater something natural , or naturally selected , that we do , as a species , for absolutely necessary purposes . Why should we leave biology out of ac- count ...
43 psl.
... human experience . As I suggested in my Introduction , the aim of drama is to portray human experience in its aspect of change ; or , as Susanne Langer nicely puts it , drama is the art in which the " future . . . is made before our ...
... human experience . As I suggested in my Introduction , the aim of drama is to portray human experience in its aspect of change ; or , as Susanne Langer nicely puts it , drama is the art in which the " future . . . is made before our ...
187 psl.
... human value . Here George Steiner has it absolutely right : tragic catastrophe is irreparable , inexplicable , and has nothing whatsoever to do with justice or injustice , either human or divine ( 1968 , 8 ) . If there were a direct ...
... human value . Here George Steiner has it absolutely right : tragic catastrophe is irreparable , inexplicable , and has nothing whatsoever to do with justice or injustice , either human or divine ( 1968 , 8 ) . If there were a direct ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write