The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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126 psl.
... heroes are criminals is beside the point : they are indeed criminals , and , as Hegel suggests , " One can . . . urge nothing more intol- erable against a hero of this type than by saying that he has acted innocently or , for that ...
... heroes are criminals is beside the point : they are indeed criminals , and , as Hegel suggests , " One can . . . urge nothing more intol- erable against a hero of this type than by saying that he has acted innocently or , for that ...
131 psl.
... hero delicately between the paragon and the abomination . Such compensations make the actions of the hero understandable , if not acceptable in the moral sense . He is seen to be both innocent ( but not quite ) and guilty ( but not ...
... hero delicately between the paragon and the abomination . Such compensations make the actions of the hero understandable , if not acceptable in the moral sense . He is seen to be both innocent ( but not quite ) and guilty ( but not ...
188 psl.
... hero , but it doesn't change the consequences of tragic fate itself . When Horatio speaks of flights of angels singing Hamlet to his rest , we take it as a metaphor for Hamlet's value to him ( and to us ) rather than as an expression of ...
... hero , but it doesn't change the consequences of tragic fate itself . When Horatio speaks of flights of angels singing Hamlet to his rest , we take it as a metaphor for Hamlet's value to him ( and to us ) rather than as an expression of ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write