The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Rezultatai 13 iš 17
124 psl.
... hamartia , or error , committed unknowingly at the crossroads ( outside the play ) and the hamartia of marrying the wrong woman , but these errors would also obtain in my reconstruction of Oedipus as a paragon of virtue . So it can't be ...
... hamartia , or error , committed unknowingly at the crossroads ( outside the play ) and the hamartia of marrying the wrong woman , but these errors would also obtain in my reconstruction of Oedipus as a paragon of virtue . So it can't be ...
125 psl.
... hamartia is not attributable to wickedness , and ( b ) it is usually kept outside the play . This is not always the case , by any means , but the placement of the hamartia ― when it is an operative feature - has a strong effect on the ...
... hamartia is not attributable to wickedness , and ( b ) it is usually kept outside the play . This is not always the case , by any means , but the placement of the hamartia ― when it is an operative feature - has a strong effect on the ...
129 psl.
... hamartia ( as error ) as if they came out of nowhere . Hamartia is rather a consequence of something else ( character ) while , at the same time , causing of the protagonist's active entry into the " field of guilt , " in Benjamin's ...
... hamartia ( as error ) as if they came out of nowhere . Hamartia is rather a consequence of something else ( character ) while , at the same time , causing of the protagonist's active entry into the " field of guilt , " in Benjamin's ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write