The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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90 psl.
... example of Aristotelian peripety , a kind of double action : an external event that reverses the facts of the hero's situation and a simultaneous internal mental event realization that re- verses his understanding of it . The two ...
... example of Aristotelian peripety , a kind of double action : an external event that reverses the facts of the hero's situation and a simultaneous internal mental event realization that re- verses his understanding of it . The two ...
93 psl.
... example , the midpoint of a pendulum's swing , a hole in the bottom of a pan of water , and so on ( Hayles 1991 , 8 ) . A strange attractor is one that combines pattern with unpredictability , confinement with orbits that never repeat ...
... example , the midpoint of a pendulum's swing , a hole in the bottom of a pan of water , and so on ( Hayles 1991 , 8 ) . A strange attractor is one that combines pattern with unpredictability , confinement with orbits that never repeat ...
163 psl.
... example , however , is quite unspectacular , and it may even be a better example of the second level of ventriloquism than the first , but I think it inevitably feeds into the ideological point Ibsen is making in an interesting and ...
... example , however , is quite unspectacular , and it may even be a better example of the second level of ventriloquism than the first , but I think it inevitably feeds into the ideological point Ibsen is making in an interesting and ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write