The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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88 psl.
... effect , at one level of perception , we shouldn't be surprised to find that a variation of it may be going on at other levels of perception . So when you invoke the term " peripety " you may be evoking a great deal more , of which the ...
... effect , at one level of perception , we shouldn't be surprised to find that a variation of it may be going on at other levels of perception . So when you invoke the term " peripety " you may be evoking a great deal more , of which the ...
95 psl.
... effect for exactly the reason Frye suggests : the characters on stage have either missed the point of their lives or have succeeded in sublimating it , but the effect of this spiritual hamartia is passed directly to the audience as an ...
... effect for exactly the reason Frye suggests : the characters on stage have either missed the point of their lives or have succeeded in sublimating it , but the effect of this spiritual hamartia is passed directly to the audience as an ...
203 psl.
... effect ? How does one maximize a theatrical prop to achieve a maximal emotion from the audience ? Science proceeds from cause to effect , theater from effect ( desired ) to cause ( how to get it ) : D : . . . The hands , how are the ...
... effect ? How does one maximize a theatrical prop to achieve a maximal emotion from the audience ? Science proceeds from cause to effect , theater from effect ( desired ) to cause ( how to get it ) : D : . . . The hands , how are the ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write