The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 13 iš 88
65 psl.
... drama is made of causes and effects - change made perceivable , in Susanne Lan- ger's phrase . Under all its local ... Drama , then , is a poetic strategy for unconcealing the concealed future , and it is at once a lament and a ...
... drama is made of causes and effects - change made perceivable , in Susanne Lan- ger's phrase . Under all its local ... Drama , then , is a poetic strategy for unconcealing the concealed future , and it is at once a lament and a ...
86 psl.
... drama is peripety , and that the objective of drama is to make human experience as peripet - ous as possible ( 1971 , 27 ) . This idea was in- spired by Kenneth Burke's discussion of irony as internal fatality in The Four Master ...
... drama is peripety , and that the objective of drama is to make human experience as peripet - ous as possible ( 1971 , 27 ) . This idea was in- spired by Kenneth Burke's discussion of irony as internal fatality in The Four Master ...
102 psl.
... drama's favorite indulgences at least since Shakespeare , if not since Aristophanes . On this account alone , it is hard to understand Peter Szondi's claim that " the drama is absolute . . . . It can be conscious of nothing outside ...
... drama's favorite indulgences at least since Shakespeare , if not since Aristophanes . On this account alone , it is hard to understand Peter Szondi's claim that " the drama is absolute . . . . It can be conscious of nothing outside ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write