The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 13 iš 43
137 psl.
... death ( 1979 , 106 ) . It seems a reasonable postulate that , without the fact of death , our drama - including comedy , farce , and biog- raphy , not to mention a great deal else in life that has little to do with death - would take ...
... death ( 1979 , 106 ) . It seems a reasonable postulate that , without the fact of death , our drama - including comedy , farce , and biog- raphy , not to mention a great deal else in life that has little to do with death - would take ...
190 psl.
... death , decay and hopelessness which would seem to place Chekhov securely in the category of the satanic ( Shestov 1966 , 23 ) . As for Ibsen , he is the only one of the three who seems comfortable in the Aristotelian tragic form ...
... death , decay and hopelessness which would seem to place Chekhov securely in the category of the satanic ( Shestov 1966 , 23 ) . As for Ibsen , he is the only one of the three who seems comfortable in the Aristotelian tragic form ...
210 psl.
... Death is understood , " he says , " as an indefinite something which , above all , must duly arrive from somewhere or other , but which is proximately not yet present - at - hand for oneself , and is there- fore no threat . Normally ...
... Death is understood , " he says , " as an indefinite something which , above all , must duly arrive from somewhere or other , but which is proximately not yet present - at - hand for oneself , and is there- fore no threat . Normally ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write