The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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8 psl.
... comedy " [ 1.2.146 ] ) . In both instances , catastrophe is the extreme consequence of mutability in things , an ... comedies to- morrow ( 1986 , 16 ) . Introduction of the rampage run higher . It is my 8.
... comedy " [ 1.2.146 ] ) . In both instances , catastrophe is the extreme consequence of mutability in things , an ... comedies to- morrow ( 1986 , 16 ) . Introduction of the rampage run higher . It is my 8.
155 psl.
... comedy , particularly farce , are almost constant in their Identities . The point about the comic character is , in fact , that he or she is a kind of hedgehog who knows , or wants , only one thing . We might say that the comic ...
... comedy , particularly farce , are almost constant in their Identities . The point about the comic character is , in fact , that he or she is a kind of hedgehog who knows , or wants , only one thing . We might say that the comic ...
222 psl.
... comedy , 155 ; Else on , 123 ; etymology of term , 14150 ; Greek and Shakespearean compared , 130-31 ; in Greek tragedy , 15455 ; of Hamlet , 13941 ; Hegel on Greek , 154 ; in Ibsen , 16369 ; and Identity , 151-56 ; Henry James on ...
... comedy , 155 ; Else on , 123 ; etymology of term , 14150 ; Greek and Shakespearean compared , 130-31 ; in Greek tragedy , 15455 ; of Hamlet , 13941 ; Hegel on Greek , 154 ; in Ibsen , 16369 ; and Identity , 151-56 ; Henry James on ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write