The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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133 psl.
... begin to see that character is a reactionary formation , not a self- starting autonomous entity . Brutus is now Cassius - and Caesar and Por- tia and Marc Antony , and whoever Brutus talks to or thinks about or at least Brutus owes ...
... begin to see that character is a reactionary formation , not a self- starting autonomous entity . Brutus is now Cassius - and Caesar and Por- tia and Marc Antony , and whoever Brutus talks to or thinks about or at least Brutus owes ...
134 psl.
... begin experi- encing déjà vu : motifs and continuities announce themselves among the family members . You see where the grandson got his slouch , the daughter her wide forehead and freckles , the father his stentorian voice , and how a ...
... begin experi- encing déjà vu : motifs and continuities announce themselves among the family members . You see where the grandson got his slouch , the daughter her wide forehead and freckles , the father his stentorian voice , and how a ...
176 psl.
... begin to sense objectivity when an author knowingly or unknowingly sets up structures or options that debate each other within the dimensions of a topic or theme . Objectivity begins to fade into subjectivity as one of the voices in the ...
... begin to sense objectivity when an author knowingly or unknowingly sets up structures or options that debate each other within the dimensions of a topic or theme . Objectivity begins to fade into subjectivity as one of the voices in the ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write
Bibliografinė informacija
| Pavadinimas | The Pleasure of the Play Cornell paperbacks, ISSN 2574-707X The Pleasure of the Play, Bert O. States |
| Autorius | Bert O. States |
| Leidimas | iliustruotas |
| Leidėjas | Cornell University Press, 1994 |
| Originalas iš | Mičigano universitetas |
| Pakeista skaitmenine forma | 27 vasario 2008 |
| ISBN | 0801430364, 9780801430367 |
| Ilgis | 226 psl. |
| Eksportuoti šaltinį | BiBTeX EndNote RefMan |