The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 13 iš 69
27 psl.
... become totally and publicly devoured by the imaginary ( 1976 , 162 ) . In short , as Plato would say , I am mad , at the very least troubled by something that has eclipsed my normal self - presentation to the world . What has ...
... become totally and publicly devoured by the imaginary ( 1976 , 162 ) . In short , as Plato would say , I am mad , at the very least troubled by something that has eclipsed my normal self - presentation to the world . What has ...
101 psl.
... become ostentatiously conscious of its own status as a peripety . That is , in semiotic terms , instead of belonging to the order of the signifier , or to the plane of expression ( " These then are two elements of plot : peripety and ...
... become ostentatiously conscious of its own status as a peripety . That is , in semiotic terms , instead of belonging to the order of the signifier , or to the plane of expression ( " These then are two elements of plot : peripety and ...
181 psl.
... become equated , we have effectively decided that tragedy is dead because we are no longer writing according to the Aristotelian formula . Tragedy and Aristotle have become syn- onymous . The debate itself has been a frustrating and ...
... become equated , we have effectively decided that tragedy is dead because we are no longer writing according to the Aristotelian formula . Tragedy and Aristotle have become syn- onymous . The debate itself has been a frustrating and ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write