The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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30 psl.
... audience affectively into a willing suspension of disbelief similar in kind to that of the realness of cinema and the dream . But such a view overlooks the affective truth that the real " anchor " provided by actor and setting ...
... audience affectively into a willing suspension of disbelief similar in kind to that of the realness of cinema and the dream . But such a view overlooks the affective truth that the real " anchor " provided by actor and setting ...
40 psl.
... audience , which varies widely from one period to another and from one kind of audience to another . Moreover , something might become dramatic , hence actable , by virtue of its fashionability in the immediate culture . Some epochs ...
... audience , which varies widely from one period to another and from one kind of audience to another . Moreover , something might become dramatic , hence actable , by virtue of its fashionability in the immediate culture . Some epochs ...
120 psl.
... audience , which in cathartic terms stresses the goal of clarification . As a signification , the thriller seeks clarity ( Whodunit and what is the motive ? ) , but what is posited as unclear ( the killer's identity ) is only an alibi ...
... audience , which in cathartic terms stresses the goal of clarification . As a signification , the thriller seeks clarity ( Whodunit and what is the motive ? ) , but what is posited as unclear ( the killer's identity ) is only an alibi ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write