The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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82 psl.
... aesthetic feeling . True aesthetic feeling is oriented to the object ; it is the feeling of the object , not some reflex in the viewer . Furthermore , one has to differentiate this viewing subjectivity , properly understood , from the ...
... aesthetic feeling . True aesthetic feeling is oriented to the object ; it is the feeling of the object , not some reflex in the viewer . Furthermore , one has to differentiate this viewing subjectivity , properly understood , from the ...
83 psl.
... aesthetic feeling itself . Plays are not emotion - producing machines , they are objects of " wonderment " which overwhelm us , in the best cases , by their way of being present before us as " expression and form . " One might claim ...
... aesthetic feeling itself . Plays are not emotion - producing machines , they are objects of " wonderment " which overwhelm us , in the best cases , by their way of being present before us as " expression and form . " One might claim ...
220 psl.
... Aesthetics . In Philosophy Looks at the Arts , ed . Joseph Margolis , pp . 48-60 . New York : Scribner . Originally in Journal of Aesthetics and Art Criticism 15 ( September ) : 2735 . The essay also appears in A Modern Book of ...
... Aesthetics . In Philosophy Looks at the Arts , ed . Joseph Margolis , pp . 48-60 . New York : Scribner . Originally in Journal of Aesthetics and Art Criticism 15 ( September ) : 2735 . The essay also appears in A Modern Book of ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write