The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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26 psl.
... actor is a strange sort of being and until recently has been treated as a stranger , if not an outcast , in our society . Plato thought the actor possessed , if not mad ; Rousseau deplored the idea of someone who annihilates himself ...
... actor is a strange sort of being and until recently has been treated as a stranger , if not an outcast , in our society . Plato thought the actor possessed , if not mad ; Rousseau deplored the idea of someone who annihilates himself ...
30 psl.
... actor and the setting in real space enhances the illusion and takes the audience affectively into a willing suspension of disbelief similar in kind to that of the realness of cinema ... Actor as Musical Instrument gered , and every actor 30.
... actor and the setting in real space enhances the illusion and takes the audience affectively into a willing suspension of disbelief similar in kind to that of the realness of cinema ... Actor as Musical Instrument gered , and every actor 30.
110 psl.
... actor alone , who represents a signified ( character ) , which is the case in virtually every play . But the Brechtian actor is doing something else as well . What more or less disappears in realistic performances is the phe- nomenon of ...
... actor alone , who represents a signified ( character ) , which is the case in virtually every play . But the Brechtian actor is doing something else as well . What more or less disappears in realistic performances is the phe- nomenon of ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write