The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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39 psl.
... Shakespeare's people act and speak by the influence of those general passions and principles by which all minds ... Shakespeare , but it is also a delicate rendering of the modesty of human nature , all the more perfect because ...
... Shakespeare's people act and speak by the influence of those general passions and principles by which all minds ... Shakespeare , but it is also a delicate rendering of the modesty of human nature , all the more perfect because ...
130 psl.
... Shakespeare to give Macbeth a powerful moral conscience , Othello a vivid imagination , and Lear a capacity for feeling that carries him above his own foolishness . Here we perceive a difference between the Greek and Shakespearean ex ...
... Shakespeare to give Macbeth a powerful moral conscience , Othello a vivid imagination , and Lear a capacity for feeling that carries him above his own foolishness . Here we perceive a difference between the Greek and Shakespearean ex ...
222 psl.
... Shakespeare , 12635 , 149 ; and spectacle , 14551 ; and thought ( di- anoia ) , 15758 ; in Timon of Athens , 153 ; as unstable construction , 161 Chatman , Seymour , on theme , 157 Chekhov , Anton : Abel on , 100 ; and Brecht ...
... Shakespeare , 12635 , 149 ; and spectacle , 14551 ; and thought ( di- anoia ) , 15758 ; in Timon of Athens , 153 ; as unstable construction , 161 Chatman , Seymour , on theme , 157 Chekhov , Anton : Abel on , 100 ; and Brecht ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write