The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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11 psl.
... pleasure that bears directly on mimesis as a universal practice of making images or representations . It is my sense that our views on pleasure suffer from an implied distinction between pleasure and art . Art produces pleasure ( of ...
... pleasure that bears directly on mimesis as a universal practice of making images or representations . It is my sense that our views on pleasure suffer from an implied distinction between pleasure and art . Art produces pleasure ( of ...
12 psl.
... pleasure produced by art as if pleasure were something that survives the exposure , like a take - home tune in the musical , usually something of a beneficial kind . It may be true that pleasure does survive ; but if something ( a play ) ...
... pleasure produced by art as if pleasure were something that survives the exposure , like a take - home tune in the musical , usually something of a beneficial kind . It may be true that pleasure does survive ; but if something ( a play ) ...
18 psl.
... pleasure of music is simply a different , nonrepresentational species of the pleasure we have in plays and that , indeed , the more conceptual and ideational pleasures we derive from plays ( moral lessons , awareness of universals , etc ...
... pleasure of music is simply a different , nonrepresentational species of the pleasure we have in plays and that , indeed , the more conceptual and ideational pleasures we derive from plays ( moral lessons , awareness of universals , etc ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
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Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write