The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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21 psl.
... pleasure we expe- rience belongs to the plane of the dream's content ( sexual arousal , the exhilaration of flight , the magnificent vista , etc. ) , not to our presence before the workmanship of an expressive object we ourselves are ...
... pleasure we expe- rience belongs to the plane of the dream's content ( sexual arousal , the exhilaration of flight , the magnificent vista , etc. ) , not to our presence before the workmanship of an expressive object we ourselves are ...
23 psl.
Bert O. States. Mimesis and Pleasure ingful unity . Like metaphorical naming , peripety too implies a purpose , but ... pleasures of life . Discovery , or what I The Pleasure of the Play refer to as unconcealment , 23.
Bert O. States. Mimesis and Pleasure ingful unity . Like metaphorical naming , peripety too implies a purpose , but ... pleasures of life . Discovery , or what I The Pleasure of the Play refer to as unconcealment , 23.
28 psl.
Bert O. States. The Pleasure of the Play pleasure and instruction . This boundary is the subject of endless specula- tion by theorists ; for even though mimesis is , after all , a simple matter of an actor undergoing an easily performed ...
Bert O. States. The Pleasure of the Play pleasure and instruction . This boundary is the subject of endless specula- tion by theorists ; for even though mimesis is , after all , a simple matter of an actor undergoing an easily performed ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write