The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
Knygos viduje
Rezultatai 13 iš 10
62 psl.
... Laius at the crossroad ) or are in some key respect the perfect complementary ingredients of an action . ( otherwise , we would have only two instances of pure motion ) . For every- thing that occurs in a dramatic action must , on the ...
... Laius at the crossroad ) or are in some key respect the perfect complementary ingredients of an action . ( otherwise , we would have only two instances of pure motion ) . For every- thing that occurs in a dramatic action must , on the ...
104 psl.
... Laius , but the genre of detective fiction itself ( The Mousetrap , Night Must Fall , Deathtrap , Sleuth , etc. ) , from which the play is continually " quoting " conventional motifs and re- marketing them ( vaguely ) as if they were ...
... Laius , but the genre of detective fiction itself ( The Mousetrap , Night Must Fall , Deathtrap , Sleuth , etc. ) , from which the play is continually " quoting " conventional motifs and re- marketing them ( vaguely ) as if they were ...
129 psl.
... Laius , Oedipus's ignorance [ of Laius's identity ] or his hot temper , but there can be no argument about what he ' recognizes ' : it is the identity of the man he killed ( 1967 , 385 ) . I find little cause to doubt that it was the ...
... Laius , Oedipus's ignorance [ of Laius's identity ] or his hot temper , but there can be no argument about what he ' recognizes ' : it is the identity of the man he killed ( 1967 , 385 ) . I find little cause to doubt that it was the ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write