The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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163 psl.
... Ibsen which has fascinated me for a long time . I choose Ibsen for several reasons : he happens to be the most classical ( Aristotelian ) playwright of the modern period , and he , more than anyone else , taught us how to use characters ...
... Ibsen which has fascinated me for a long time . I choose Ibsen for several reasons : he happens to be the most classical ( Aristotelian ) playwright of the modern period , and he , more than anyone else , taught us how to use characters ...
168 psl.
... Ibsen , how- ever , here the psychological and the thematic levels are fused , thus giving rise to ( among other things ) the high frequency of oracular statements by the characters , that peculiar attraction of the Ibsen character , at ...
... Ibsen , how- ever , here the psychological and the thematic levels are fused , thus giving rise to ( among other things ) the high frequency of oracular statements by the characters , that peculiar attraction of the Ibsen character , at ...
176 psl.
... ( Ibsen ) and how they follow parallel paths to infinity in the other ( Chekhov ) . I am not in the least claiming that Ibsen's meanings are clearer or more obvious than Chekhov's . My comments have strictly to do with the face of ...
... ( Ibsen ) and how they follow parallel paths to infinity in the other ( Chekhov ) . I am not in the least claiming that Ibsen's meanings are clearer or more obvious than Chekhov's . My comments have strictly to do with the face of ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write