The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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78 psl.
... I. A. Richards places at the heart of the tragic experience , the sense in which " everything is right here and now in the nervous system " ( 1961 , 246 ) . There are at least two ways to read the key word " right " here . You can think ...
... I. A. Richards places at the heart of the tragic experience , the sense in which " everything is right here and now in the nervous system " ( 1961 , 246 ) . There are at least two ways to read the key word " right " here . You can think ...
183 psl.
... I think we are inevitably forced to disengage , or at least loosen , the bond between tragedy as a genre and tragic ... I. A. Richards is right in saying that tragedy , as a coalescence of vision and form , is one of the rarest things ...
... I think we are inevitably forced to disengage , or at least loosen , the bond between tragedy as a genre and tragic ... I. A. Richards is right in saying that tragedy , as a coalescence of vision and form , is one of the rarest things ...
187 psl.
... I. A. Richards puts this point ( in a passage quoted by Van Laan ) , " The mind does not shy away from anything , it does not protect itself with any illusion [ of heaven , hell , or God ] , it stands uncomforted , unin- timidated ...
... I. A. Richards puts this point ( in a passage quoted by Van Laan ) , " The mind does not shy away from anything , it does not protect itself with any illusion [ of heaven , hell , or God ] , it stands uncomforted , unin- timidated ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write