The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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170 psl.
... Chekhov is loading an argument or a dialectic between two positions ; the episode is just his means of reminding us punctually who is now in control of the house . In Ibsen , on the other hand , something will come of everything . The ...
... Chekhov is loading an argument or a dialectic between two positions ; the episode is just his means of reminding us punctually who is now in control of the house . In Ibsen , on the other hand , something will come of everything . The ...
171 psl.
... Chekhov's plays for evidence of a thesis , you will not find his thesis in positions taken by the characters . If there is a thesis ( and this would be stretching the notion of theme in an odd direc- tion ) , it must be found in the ...
... Chekhov's plays for evidence of a thesis , you will not find his thesis in positions taken by the characters . If there is a thesis ( and this would be stretching the notion of theme in an odd direc- tion ) , it must be found in the ...
175 psl.
... Chekhov's drama " predicates nothing , " then , lies in the fact that Chekhov doesn't conceive his characters as inte- gers in an ethical or an ideological equation . There is a presumption in Chekhov that the ethical speaks for ...
... Chekhov's drama " predicates nothing , " then , lies in the fact that Chekhov doesn't conceive his characters as inte- gers in an ethical or an ideological equation . There is a presumption in Chekhov that the ethical speaks for ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write