The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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Rezultatai 13 iš 23
108 psl.
... Brecht's word , for which there is no direct semantic source on the stage . To come back to my earlier figure : the tree falls in Brecht's world , but the sound is heard only in the audience's . And this seems safe to say of Chekhov's ...
... Brecht's word , for which there is no direct semantic source on the stage . To come back to my earlier figure : the tree falls in Brecht's world , but the sound is heard only in the audience's . And this seems safe to say of Chekhov's ...
109 psl.
... ( Brecht 1961 , 302 ) This is what Brecht himself might call an instance of gestic playwriting , or a speech in which " people adopt attitudes of such a sort that the social laws under which they are acting spring into sight " ( 1966 , 86 ) ...
... ( Brecht 1961 , 302 ) This is what Brecht himself might call an instance of gestic playwriting , or a speech in which " people adopt attitudes of such a sort that the social laws under which they are acting spring into sight " ( 1966 , 86 ) ...
110 psl.
... Brecht we are dealing with another form of metasemiosis . Here again , Barthes's chart ( Figure 4 ) is useful . The idea I intend the diagram to illustrate of course is that the Brechtian signifier - the actor in this instance is ...
... Brecht we are dealing with another form of metasemiosis . Here again , Barthes's chart ( Figure 4 ) is useful . The idea I intend the diagram to illustrate of course is that the Brechtian signifier - the actor in this instance is ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write
Bibliografinė informacija
| Pavadinimas | The Pleasure of the Play Cornell paperbacks, ISSN 2574-707X The Pleasure of the Play, Bert O. States |
| Autorius | Bert O. States |
| Leidimas | iliustruotas |
| Leidėjas | Cornell University Press, 1994 |
| Originalas iš | Mičigano universitetas |
| Pakeista skaitmenine forma | 27 vasario 2008 |
| ISBN | 0801430364, 9780801430367 |
| Ilgis | 226 psl. |
| Eksportuoti šaltinį | BiBTeX EndNote RefMan |