The Pleasure of the PlayCornell University Press, 1994 - 226 psl. This witty, informed, and concise introduction to the principles of drama helps us to experience the pleasure of plays from Oedipus Rex to Endgame. Never losing sight of the interaction between play and spectator, Bert O. States provides a spirited view of works by Shakespeare, Ibsen, Chekhov, Pinter, Brecht, Beckett, Stoppard, Churchill, and many others. |
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197 psl.
... Beckett , and most especially ( for me ) the Beckett of plays such as Krapp's Last Tape , Not I , and Rockaby , the trilogy , and in a more discursive way the critical work , Proust . I choose Beckett primarily because he is the ...
... Beckett , and most especially ( for me ) the Beckett of plays such as Krapp's Last Tape , Not I , and Rockaby , the trilogy , and in a more discursive way the critical work , Proust . I choose Beckett primarily because he is the ...
199 psl.
... Beckett , words were blocks of timelessness , a means of making something slightly extratem- poral out of the symptoms of the Time cancer , something slightly more immune to the cancer than life itself , something , above all , that ...
... Beckett , words were blocks of timelessness , a means of making something slightly extratem- poral out of the symptoms of the Time cancer , something slightly more immune to the cancer than life itself , something , above all , that ...
207 psl.
... Beckett . But it is curious that Havel , in response to Beckett , would write of the flaw in the prisoner rather than the horror of the prison ( which goes without saying ) . For this is what , in effect , I feel Beckett did , beneath ...
... Beckett . But it is curious that Havel , in response to Beckett , would write of the flaw in the prisoner rather than the horror of the prison ( which goes without saying ) . For this is what , in effect , I feel Beckett did , beneath ...
Turinys
Introduction I | 1 |
Mimesis and Pleasure II | 11 |
The Actor as Musical Instrument | 25 |
Autorių teisės | |
Nerodoma skirsnių: 12
Kiti leidimai - Peržiūrėti viską
Pagrindiniai terminai ir frazės
actor aesthetic Anatomy of Dramatic anglerfish Aristotelian Aristotle Aristotle's artistic audience Beckett become begin behavior Brecht Brechtian catastrophe catharsis causal Chekhov comedy concept course death drama Dramatic Character dream effect emotional entelechial epic example experience fate fiction Greek hamartia Hamlet happens Hedda hero human I. A. Richards Ibsen idea identity illusion imagine imitation instance interest kind King Lear Laius Lear least Macbeth meaning metaphor mimesis mimetic modern moral Moreover murder nature notion occurs Oedipus Rex Oedipus's Othello paradox performance peripety Peripety and Recognition person Pinter play Pleasure Poetics possible present principle probably problem produce protagonist Real Inspector Hound Real Inspector Oedipus refer reversal Samuel Beckett scene seems sense Shakespeare signifier simply Sophocles speak speech stage Tesman theater thematic theme things Thought as Ventriloquism thriller tion tragic vision ventriloquism whole word write